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arrFiles=new Array();arrFiles[0]=new Array(1,"","15 Oct 2009","Welcome to Pran  \\'s Media Institute :: Animation | Mass Communication | Editing | VFX | TV | News Anchoring....","animation, web, mass, masscomm, mass communication, tv, news, anchoring, media, multimedia, graphics, designing, courses, degree, bsc, editing, linear, non-linear, prans, institute, chacha, chaudhary, comics, admission, production, direction, camera, pho","","Feedback | Vision | Franchise | Placements | Contact us DESIGN YOUR CAREER IN.. -MASS -COMMUNICATION -TV NEWS ANCHORING -RADIO JOCKEY -VIDEO EDITING -ANIMATION -CAMERA -TV PRODUCTION  \'n \' DIRECTION Make Your Career in Mass Communication TV News Anchoring Radio Jockey Video Editing Animation TV Production n Direction Camera HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER Welcome to Pran \'s home... Pran \'s media Institute gives you one step solution. Here we offer varied courses... read more COURSES OFFERED Pran \'s Media Institute is pioneer in training students to become world classpioneer in training more... ARTICLES Advertising, though holds a lot of meaning in itself, Portrayal of women in ad making is a very important... more... NEWS &amp; EVENTS Animated Series of Chacha Chaudhary... SOON more... STUDENTS KORNER PMI students have achieved great heights... more... ADMISSIONS Pran \'s Media Institute has grown as one of the pioneers in Media & Animation... more... FACULTY In academic Institution, the quality of faculty is the most important. more... &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",17);arrFiles[1]=new Array(2,"images/favicon.ico","15 Oct 2009","favicon.ico","","","",4);arrFiles[2]=new Array(3,"feedback.html","15 Oct 2009","Pran  \\'s Media Institute :: Feedback","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. Feedback Name* Email Address* Contact No*. Comments* * required fields &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",5);arrFiles[3]=new Array(4,"vision.html","15 Oct 2009","Pran  \\'s Media Institute :: Vision","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER Overview Vision From President \'s Desk Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. Vision W e believe that higher education is power for good and makes a significant economic, intellectual and cultural contribution to the world . We believe that choosing to take up a higher education course requires courage, commitment and hard work. We aim to acknowledge this by providing a teaching and learning experience for all our students. The school aims at providing true and comprehensive knowledge about different fields of media. The mission is to provide an advance academic program, with outstanding career opportunities. The institute has transparent system of evaluation that will not just evaluate the student \'s performance but also the growth in other areas of interest. To promote understanding of media and technologies are shaping and redefining media practice To familiarize and equip students with a wide range of communication skills required for news program production. To interest with top media professional and experts from various fields to widen student \'s vision, right guidance and good knowledge. To provide opportunities to participate in live program production of various channels in India an abroad. To foster integrity, tolerance and human value, to promote equality of opportunity; to protect and enhance the physical and social environment for student and staff. To foster a cosmopolitan community of scholars and students in which both staff and students are encouraged and enabled to fulfill their potential and develop in skill and understanding. To make a major contribution to local, regional, national and international communities through working in media and bringing about change in the society. We believe that we improve and grow stronger by listening and learning from those who use our services. The vision for the school \'s future is an ambitious one. Its realization will demand energy and commitment and superb execution. &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",7);arrFiles[4]=new Array(5,"franchise.html","15 Oct 2009","Pran  \\'s Media Institute :: Admission --&gt; Fee Details","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. Franchise PMI is first of its kind animation and media institute in the country at par with international studio standards.Pran \'s feature has been syndicating some of the india \'s most popular comic series since 1960. In 1993 it was linked with TV industry making TV serials, Ad films, and corporate films for private producers and Ad agencies. At PMI we aim at providing quality education to the aspiring animation and media professionals.. WHAT WOULD A PMI FRANCHISE ACHIEVE WORKING WITH US The franchise can use the Brand \'s name PRAN \'S MEDIA We give you end to end support for tests and animation. We provide you facility for central evaluation of projects and assignments of the students. We provide you the course and study materials, developed by the technical team with studio and media background. We give placement assistance to all the students. We avail you training sessions for faculty and staff. We also give you marketing support (Ad, campaigns) We help your small business grow, while increasing &amp; maintaining your revenue streams. WHO ARE ELEIGIBLE FOR THE FRANCHISE? Highly potential people who are driven and ready to take advantage of opportunity and proven results. Well qualified &amp; experienced manpower for academic operation. Suitable premises in proper area where extension in future can be done. Well equipped in terms of softwares and studio equipments. All the required local pemissions and licenses. Finacially sound background. So if you want to turn your business into a worthwhile, enjoyable and highly profitable....Hurry and contact us. &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",6);arrFiles[5]=new Array(6,"contact_us.html","15 Oct 2009","Pran  \\'s Media Institute :: Contact Us","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER Faculty Admission Fee Details Locate Us View Larger Map Contact Us New Delhi (HEAD OFFICE) PRAN \'S MEDIA INSTITUTE E13, Green Park Ext. New Delhi - 110016 Contact Person - Ms. Tamanna Sharma Ph: 011- 41754844, 42651265 E-mail : pran@pran.in &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",5);arrFiles[6]=new Array(7,"placements.html","15 Oct 2009","Pran  \\'s Media Institute :: Admission --&gt; Fee Details","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. Placements The institute is one of the only placement organizations providing 100% placement assistance to its students in various channels and publishing houses.So far the institute has successfully placed their students in various newspaper and channels. The institute also conducts in-house mock interviews by leading media personalities and experts for grooming their students for selection in various media and print media. . Some of our placed Students. 100% Placement AMIT KUMAR Graphic Designer Crossway Communication ARSHAD KHAN Anchor &amp; Reporter Aaj Tak, Agra ANIL KUMAR Video Editor Production House AYUSHI SHARMA Modeler, Animator DQ Animation, Hyderabad KULDEEP SINGH News Reporter Jain TV, Delhi DEEPAK RANOJJA TV Production &amp; Direction Balaji Telefilms, Mumbai KANIKA TV Anchor Total TV INDU News Reporter INX TV Channel BIMAN JYOTI Editor Focus TV SANDEEP VERMA Animator Snap Shot, Bangalore RAVI Production Incharge Topper TV Channel JAYA Voice Artist Discovery Channel BHARTI SHARMA Anchor Jain TV ASHISH PANDEY 3D Animator DQ Animation, Hyderabad AZAHARUDDIN Camera &amp; Lights Balaji Telefilms, Mumbai AMIT KUMAR Video Editor Production House RUCHIKA RAI TV Show Anchor Doordarshan, Delhi AVINASH CHANDRA Chief Reporter Rashtriya Sahara Newspaper VARUN Radio Jockey RED FM PRIYA SHRIVASTAVA TV News Anchor SACHIN Graphic Designer Creative Media, Delhi BHARAT BHUSHAN Video Editor Production House RASHMI TRIPATHI News Reporter TV Live SANJAY RANJAN Journalist Hindustan , Delhi GEETIKA SULEKH Radio Jockey AIR FM, Delhi VINOD KHATRI Reporter India TV, Delhi SHILPA BARUA Graphic Designer Fashion House VIJAY CHAUHAN Reporter Jain TV, Delhi TARUN NAGPAL Camera &amp; Lights Doordarshan, Delhi SOMYA CHAURASIA News Reporter Aaj Tak, Delhi DEVENDRA KUMAR Camera &amp; Lights Doordarshan, New Delhi MITHILA JAIN News Reporter Sahara Samay TV Channel NAVNEET VERMA Graphic Designer Escorts PANKAJ KUMAR TV Anchor E News, Delhi PARVEEN SANKLA Camera &amp; Lights Doordarshan PAVAN KUMAR Chief Reporter Jagran, Agra (UP) SANJEEV KUMAR Chief Reporter, Aaj Tak, Moradabad SATENDER KUMAR Reporter Jansandesh, New Delhi SWATI MADAN Production Incharge India TV, Delhi TABA AJUM Journalist Indian Express, Delhi SURENDER KUMAR Animator Escotoons, Delhi &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",15);arrFiles[7]=new Array(8,"Animation.html","15 Oct 2009","Pran  \\'s Media Institute :: Courses and Programmes :: Animation","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER B.Sc in MCAJ (Mass communication advertising &amp; jounalism ) Diploma in professional photography Diploma in TV, News, Anchoring &amp; Reporting Masters programm in Acting Master programme in Radio jockey Master programme in TV production, Direction &amp; Broadcast journalism M.Sc MCAJ (Mass communication advertising &amp; jounalism) PG Diploma (Mass communication advertising &amp; jounalism) News Anchoring and Broadcast journalism Radio jockey Camera &amp; TV production Non – linear editing &amp; TV production Creative media writing Still photography &amp; photo journalism Web Designing Professional Diploma in 3D Animation, Gaming, and Special effects Advanced Diploma in 3D animation Bachelors Degree in Multimedia and Animation Advanced program of Web Designing B.Sc in Multimedia &amp; Animation (UGC Recognised Degree) What is Animation ? Character Walking Running Horse Animation is a type of optical illusion. It involves the appearance of motion caused by displaying still images one after another. Often, animation is used for entertainment purposes.In addition to its use for entertainment, animation is considered a form of art. It is often displayed and celebrated in film festivals throughout the world. Also used for educational purposes, animation has a place in learning and instructional applications as well.Cartoon animation is often considered to be animation in its classic form. The animated cartoon made its debut in the early part of the 20th century and calls for the use of 24 different drawings per second. In traditional animated cartoons, frames are hand drawn. Pran \'s Media Institute is a distinguished Animation and Visual effects academy in India. We keep pace with new technology and infrastructure to cater to the industrial requirements. Demand for animation production services from India is growing with emergence of organised sector. The main area of opportunity have been animation production services for TV programs. Theatrical feature films, Game and adervertising films, entertainment industry is growing at Rs. 30,000 crore per year. It needs trained animations and visual effects artists. In India there are 240 TV channels and 180 are more coming up. Training is given by experienced faculty. Eligiblity : 10+2 from any recognized university . Course Details Ist Year Graphics colour studio, drawing process, figure drawing Digital photography types of cameras installation and presentation; visual design Desktop publishing - Layout Design Script &amp; story boarding - Idea Development Digital photography - digital imaging dynamics in photoshop, scanning and colour correction Digital photography dynamics, product photography Advertising - campaign planning and process Project 1 : Poster and Brochure Designing Project 2 : Advertisign campaign project for print media IInd Year Digital art, image editing Web design fundamentals HTML basics 2D Animation with Flash Introduction to 3DS MAX &amp; Maya Character studio Overview of the stages of production Principles of animation Modeling, rigging and texturing Principles of character animation Character modeling and rigging; design and development Lighting rendering and texture mapping Compositing &amp; 3D special effects Particles and Dynamics Script writing and storytelling Film design and development Project III : walk project Project IV : broadcast design Project V : character project Project VI : special effects Project VII : short animation film project Project VIII : character animation in 3D MAX IIIrd year Advanced video editing and special effects Audio compositing and syncing Digital video shooting Project IX : Interactive movie making Project X : Industry Internship Fee Details of this Course Download Scheme and Syllabus of this course (Right click and save target as) COURSE FEE DETAILS Fee structure of courses. Click here &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",13);arrFiles[8]=new Array(9,"mass_comm.html","15 Oct 2009","Pran  \\'s Media Institute :: Courses and Programmes :: TV PRODUCTION AND DIRECTION","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER B.Sc in MCAJ (Mass communication advertising &amp; jounalism ) Diploma in professional photography Diploma in TV, News, Anchoring &amp; Reporting Masters programm in Acting Master programme in Radio jockey Master programme in TV production, Direction &amp; Broadcast journalism M.Sc MCAJ (Mass communication advertising &amp; jounalism) PG Diploma (Mass communication advertising &amp; jounalism) News Anchoring and Broadcast journalism Radio jockey Camera &amp; TV production Non – linear editing &amp; TV production Creative media writing Still photography &amp; photo journalism Web Designing Professional Diploma in 3D Animation, Gaming, and Special effects Advanced Diploma in 3D animation Bachelors Degree in Multimedia and Animation Advanced program of Web Designing Mass Communication, Advertisement & Journalism Overview Mass communication and media studies have become the most demanding courses these days due to enormous scope of career opportunities for journalists and other media professionals in TV, newspaper, radio, internet. To become a successful media professional, practical skills are required along with through knowledge of history and industry of mass communication and its functioning. To fullfill this need we offer the following degree | diploma and shot term courses in mass communication. Course Details B.Sc in Mass Communication , Journalism and Advertisement Duration : 3 years Semester I Principles of Communication - I Global Comparative Media Information Technology Industry of Mass Communication Communication & Soft Skills Practical Semester II Mass Communication Concepts and Processes Print Media &amp; Photo Journalism Reporting &amp; Editing Communication Skills Computer Application for Journalism Practical Semester III Reporting Techniques &amp; Skills Editing: Concepts &amp; Processes Reporting &amp; Editing Lab TV Journalism &amp; Programme Formats Television Production: Idea to Screen Practical Semester IV Basics of Camera, Lights and Sound Advertising: Concepts &amp; Principle Advertising through Print, Radio &amp; Television Press Laws &amp; Media Ethics Television Production Lab Operation &amp; Handling of Video Equipments Practical Semester V Event Management: Principles and Methods Organization and Management Research Methodologies for Media Cyber Journalism Public Relations Practical Semester VI World Media Scenario Contemporary Media Technology Radio Government Information System Project Report Practical M.Sc in Mass Communication , Journalism and Advertising Duration : 2 years Semester I Introduction to Communication Introduction to Mass Communication Introduction to Journalism Introduction to Advertising Introduction to Computers Communication and Soft Skills Practical Semester II Introduction to Media Technologies Introduction to Public Relations Journalistic Reporting &amp; Editing Advertising Design &amp; Principles Project Report Semester III Introduction to Printing Technologies Introduction to Production Technologies Introduction to Newspaper Management Introduction to Copywriting, Visualization &amp; Campaign Effectiveness Introduction to Mass Communication &amp; Society Practical Semester IV Introduction to Communication Research Introduction to Photography Mass Communication Ethics &amp; Laws New Media Technologies Project Report Diploma in ( Mass Communication, Advertisement &amp; Journalism) Duration : 1 year Semester I Principles of Communication Global Comparative Media Information Technology History &amp; Industry of Mass Communication Communication &amp; Soft Skills Practical Semester II Mass Communication Concepts and Processes Print Media &amp; Photo Journalism Reporting &amp; Editing Communication Skills Computer Application for Journalism Practical PG Diploma in Mass Communication, Advertisement &amp; Journalism (Duration :1 year) Semester I Introduction to Communication Introduction to Mass Communication Introduction to Journalism Introduction to Advertising Introduction to Computers Communication and Soft Skills Practical Semester II Introduction to Media Technologies Introduction to Public Relations Journalistic Reporting &amp; Editing Advertising Design &amp; Principles Project Report Fee Details of this course Download scheme and syllabus of this course (Right click and save target as) COURSE FEE DETAILS Fee structure of courses. Click here &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",18);arrFiles[9]=new Array(10,"tnap.html","15 Oct 2009","Pran  \\'s Media Institute :: Courses and Programmes :: TV NEWS ANCHORING AND REPORTING","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER B.Sc in MCAJ (Mass communication advertising &amp; jounalism ) Diploma in professional photography Diploma in TV, News, Anchoring &amp; Reporting Masters programm in Acting Master programme in Radio jockey Master programme in TV production, Direction &amp; Broadcast journalism M.Sc MCAJ (Mass communication advertising &amp; jounalism) PG Diploma (Mass communication advertising &amp; jounalism) News Anchoring and Broadcast journalism Radio jockey Camera &amp; TV production Non – linear editing &amp; TV production Creative media writing Still photography &amp; photo journalism Web Designing Professional Diploma in 3D Animation, Gaming, and Special effects Advanced Diploma in 3D animation Bachelors Degree in Multimedia and Animation Advanced program of Web Designing TV, News, Anchoring &amp; Reporting TV, News, Anchoring (TNA) Pran \'s Media Institute is pioneer in training students to become News Anchor / Reporter. Several student trained by our institute are working in TV channels Aaj Tak, NDTV, Zee TV, Sahara etc. Professional training backed by 12 years experience in media helps students become a good TV Anchor. Every year, many new TV channels are coming. At Pran \'s Media Institute we groom your Personalty, Voice Clarity, Body Language and Camera facing Eligiblity : 10+2 from any recognized university . Course Details Introduction to News History of Journalism News Gathering Skills Script Writing Structure of News Bulletin Camera Rehearsals Voice Modulation Personality Development Skills Weather Bulletin Sports News Panel Discussion Talk Show News Reporting Phone In Interviews Practical Final Project Fee Details of this Course COURSE FEE DETAILS Fee structure of courses. Click here &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",10);arrFiles[10]=new Array(11,"radio_jockey.html","15 Oct 2009","Pran  \\'s Media Institute :: Courses and Programmes :: RADIO JOCKEY","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER B.Sc in MCAJ (Mass communication advertising &amp; jounalism ) Diploma in professional photography Diploma in TV, News, Anchoring &amp; Reporting Masters programm in Acting Master programme in Radio jockey Master programme in TV production, Direction &amp; Broadcast journalism M.Sc MCAJ (Mass communication advertising &amp; jounalism) PG Diploma (Mass communication advertising &amp; jounalism) News Anchoring and Broadcast journalism Radio jockey Camera &amp; TV production Non – linear editing &amp; TV production Creative media writing Still photography &amp; photo journalism Web Designing Professional Diploma in 3D Animation, Gaming, and Special effects Advanced Diploma in 3D animation Bachelors Degree in Multimedia and Animation Advanced program of Web Designing Radio Jockey Radio Jockey Pran \'s Media Institute program provides students with the practical skills necessary to work in the entertainment and music industry. In stage one, students learn the technical and creative aspects of the recording process working on complex recording projects in a professional environment. In stage two, students learn writing skills and perform in Sound Studio to become an RJ.A Radio Jockey should be able to produce radio programme on electronic machines. He should be well acquainted with the songs and good vocabulary. Eligiblity : 10+2 from any recognized university . Course Details Introduction to News History of Journalism News Gathering Skills Script Writing Structure of News Bulletin Camera Rehearsals Voice Modulation Personality Development Skills Weather Bulletin Sports News Panel Discussion Talk Show News Reporting Phone In Interviews Practical Final Project Fee Details of this Course COURSE FEE DETAILS Fee structure of courses. Click here &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",10);arrFiles[11]=new Array(12,"production_direction.html","15 Oct 2009","Pran  \\'s Media Institute :: Courses and Programmes :: TV PRODUCTION AND DIRECTION","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER B.Sc in MCAJ (Mass communication advertising &amp; jounalism ) Diploma in professional photography Diploma in TV, News, Anchoring &amp; Reporting Masters programm in Acting Master programme in Radio jockey Master programme in TV production, Direction &amp; Broadcast journalism M.Sc MCAJ (Mass communication advertising &amp; jounalism) PG Diploma (Mass communication advertising &amp; jounalism) News Anchoring and Broadcast journalism Radio jockey Camera &amp; TV production Non – linear editing &amp; TV production Creative media writing Still photography &amp; photo journalism Web Designing Professional Diploma in 3D Animation, Gaming, and Special effects Advanced Diploma in 3D animation Bachelors Degree in Multimedia and Animation Advanced program of Web Designing TV Production and Direction TV Poduction and Direction Production / Direction &amp; TV Journalism course has been designed to provide necessary education and training in the art and craft of screen presentation. Due emphasis is laid on television journalism and writing for the screen with a view to making the training of a Producer / Director truly broad based. Students of this course are prepared required to make screen presentation using both single camera and multicamera production techniques. They are provided with an opportunity to face the camera during the production exercises. The students of Production/Direction &amp; TV Journalism course plan and produce news and current affairs as well as fictional type of programmes under the watchful eyes of the experienced faculty. Eligiblity : 10+2 from any recognized university . Course Details Introduction to Pre-Production, Production, and Post Production Idea Building Script Writing Introduction to Camera Types of Shots Movement of Shots Floor Plan Shot Direction Editing Graphics and special Effects Fee Details of this Course COURSE FEE DETAILS Fee structure of courses. Click here &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",10);arrFiles[12]=new Array(13,"video_editing.html","15 Oct 2009","Pran  \\'s Media Institute :: Courses and Programmes :: VIDEO EDITING","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER B.Sc in MCAJ (Mass communication advertising &amp; jounalism ) Diploma in professional photography Diploma in TV, News, Anchoring &amp; Reporting Masters programm in Acting Master programme in Radio jockey Master programme in TV production, Direction &amp; Broadcast journalism M.Sc MCAJ (Mass communication advertising &amp; jounalism) PG Diploma (Mass communication advertising &amp; jounalism) News Anchoring and Broadcast journalism Radio jockey Camera &amp; TV production Non – linear editing &amp; TV production Creative media writing Still photography &amp; photo journalism Web Designing Professional Diploma in 3D Animation, Gaming, and Special effects Advanced Diploma in 3D animation Bachelors Degree in Multimedia and Animation Advanced program of Web Designing Video Editing Video Editing &amp; Sound Editing The interesting capability of film as a story telling medium is that it can take the audience to different places and different times in a very short period of time. That is how we see 80 years of a character in the feature film in just two hours and still feel that we have seen his entire lifetime. It is done through smart and effective editing which appropriately uses the right kind of Visuals, Audio and Special Effects. With the advent of the digital world editing today technically is far simpler and has limitless potentials to alter the quality of captured images and sound to make it the way it was originally desired. But to be a smart editor one must also know the basic grammar of editing and a thorough understanding of various narrative styles. It is only then that one can choose the best visuals and audio to create the right kind of ambience and take the audience to a fascinating journey of the subject that the film is dealing with. Diploma in Video Editing is aimed at imparting an over all introduction to Basics of Editing, Editing Software and Various Editing patterns. The basic constituents of narrative structures, montage theory and concept of time and space are taught with the help of discussion and analysis of landmarks film from around the world. The cleaning of sound from the recorded material and creating the right aural design that supports the visuals to tell the story effectively is analysed. Experienced professionals from the industry are invited to organise workshops to impart specialized technical skills in editing patterns. The program curriculum constitutes of the following modules. ! Eligiblity : 10+2 from any recognized university . Course Details How photography works. Lenses. Film. Framing and composition of still shot. Television and Movie Cameras. The television camera. Television camera controls and adjustments. The television camera mounts Basic optics The Lens The Zoom Lens. Lens Filters. Controlling exposure. Focusing the shot. Framing the shot. Composing the shot. Perspective and depth of field. Camera movements. Shooting for editing. Camera care routines. The digital television camera. The movie camera. Nature of light The human vision. Light sources. Types of luminaries and their mounts. Controlling intensity of light. Colour and colour temperature of light. Technical and artistic requirement of lighting. Fee Details of this Course COURSE FEE DETAILS Fee structure of courses. Click here &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",12);arrFiles[13]=new Array(14,"comics.html","15 Oct 2009","Pran  \\'s Media","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact Chacha Chaudhary Pinki Saboo Billoo Shrimatiji ",2);arrFiles[14]=new Array(15,"lights_camera.html","15 Oct 2009","Pran  \\'s Media Institute :: Courses and Programmes :: LIGHTS AND CAMERA","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER B.Sc in MCAJ (Mass communication advertising &amp; jounalism ) Diploma in professional photography Diploma in TV, News, Anchoring &amp; Reporting Masters programm in Acting Master programme in Radio jockey Master programme in TV production, Direction &amp; Broadcast journalism M.Sc MCAJ (Mass communication advertising &amp; jounalism) PG Diploma (Mass communication advertising &amp; jounalism) News Anchoring and Broadcast journalism Radio jockey Camera &amp; TV production Non – linear editing &amp; TV production Creative media writing Still photography &amp; photo journalism Web Designing Professional Diploma in 3D Animation, Gaming, and Special effects Advanced Diploma in 3D animation Bachelors Degree in Multimedia and Animation Advanced program of Web Designing Lights and Camera Lights and Camera Film and Television are mediums of the camera because all techniques of screen-presentation are related to it. Certain skills and technical knowledge are needed to operate a film or television camera and to light the subject to do a wide variety or work in Film and Television. The cameraperson is required to create images for the presentation on the screen that delight the eye. He has, therefore, to understand and employ the psychology of human perception to do his work. In other words, the camera person has to understand how the human mind respondsto the visual information presented before the eye and to this end hehas to adopt the right way to record moving images for presentation on Lighting is indeed at the heart of Filmmaking and Television Production. A thorough knowledge of the tools and techniques involved in lighting is necessary to produce good quality and pleasing pictures. Lighting create the environment for the screen presentation. Apart from the fundamental role of illuminating the subject, light is one of the most important elements in the visual design of film and television images. The basic principles of film and television lighting are largely the same no matter where they are practiced and at what level ! Eligiblity : 10+2 from any recognized university . Course Details How photography works. Lenses. Film. Framing and composition of still shot. Television and Movie Cameras. The television camera. Television camera controls and adjustments. The television camera mounts Basic optics The Lens The Zoom Lens. Lens Filters. Controlling exposure. Focusing the shot. Framing the shot. Composing the shot. Perspective and depth of field. Camera movements. Shooting for editing. Camera care routines. The digital television camera. The movie camera. Nature of light The human vision. Light sources. Types of luminaries and their mounts. Controlling intensity of light. Colour and colour temperature of light. Technical and artistic requirement of lighting. Fee Details of this Course COURSE FEE DETAILS Fee structure of courses. Click here &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",11);arrFiles[15]=new Array(16,"files/Brochure2009.pdf","15 Oct 2009","Brochure2009","","","                                        ",1560);arrFiles[16]=new Array(17,"chacha.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact C hacha Chaudhary Once cartoonist Pran struck upon an idea of a wise oldman who solves problems with his sharp intellect. Thus CHACHA CHAUDHARY was born in 1971. Tall and robust SABU , who is an inhabitant of planet Jupiter, gave Chaudhary an ideal company. A combination of wisdom and strength was formed to tackle any difficult task. It is said that Chacha Chaudhary \'s brain works faster than a computer . Though both fight the criminals and tricksters, each episode ends with a touch of humour. The duo perform in lighter vein. The CHAUDHARY family consists of his wife Bini, a fat sharp tongue woman, Sabu, Rocket - the dog and Dag- Dag, an old truck who is half human- half machine. Chacha Chaudhary is the most popular Indian comics. More than 10 million readers enjoy this series regularly in newspapers and comic books in ten languages. A T.V. serial based on the comics has crossed 500 episodes and still continue to be telecast on premier channel Sahara ONE. Read Chacha Chaudhary \'s Comics ",5);arrFiles[17]=new Array(18,"pinki.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact P inki They say - smaller the trouble, the better it is. This applies appropriately to PINKI, the five year old little girl, who is often seen carrying her pet Kut-Kut, the squirrel. This strip was created by cartoonist Pran in 1978. The series became a tremendous hit in short period. Soon the hilarious encounters of PINKI started appearing in Punjab Kesari, JagBani, Hind Samachar, Sandhaya Times, Mayura, Lot Pot and several other newspapers. M/s Diamond Comics Pvt. Ltd. New Delhi, have compiled it into book forms in ten languages. Many manufactures have used this character on their children goods to promote the sales. The whole neighbourhood of Pinki is scared of menace of her doings. She wants to help uncle Jhapatji busy painting the furniture. If you want to help me, go away! He screms. Other characters in the series are, Champu, Bhiku, Didi, Principal Tasmut, PINKI \'S parent and grand parents. Read Pinki \'s Comics ",5);arrFiles[18]=new Array(19,"saboo.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact S aboo Saboo is not a creature of this world. Cartoonist Pran needed tall muscular man who could keep company to Chacha Chaudhary and face the evil men. Thus the huge amiable man was created in 1971 . He is an inhabitant of planet Jupiter. One day he took a voyage in his space craft and descended on earth. The beautiful snow clad mountains, the flowing rivers and thick green woods of earth impressed him. He was so touched by the hospitality of Chacha Chaudhary and his wife Bini , that he decided to settle here for ever. Sabu, the most powerful man on earth, gives helping hand to Chacha Chaudbary to fight the mafia gangs, terrorists and tricksters. Whenever he is angry, a volcano errupts somewhere. He utters HU- HUBA ! when in action. The only trouble with Sabu is , that he consumes a lot of food. So, no one invites him on dinner. He is fond of lassi (yoghurt). ",4);arrFiles[19]=new Array(20,"billoo.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact B illoo In 1973, cartoonist Pran was looking for a school going teenage boy who could feature in the comic strips. Thus he created a boy with a long hair covering his eyes and named him BILLOO. This lanky was liked by the readers so much that the editor of the magazine asked the cartoonist to increase the episodes from one page to two. Billoo is seen roaming the streets with his pet pup - Moti. When he is at home, he is stuck to the TV.Billoo and his gang which includes Gabdu, Jozi, Mono, Bishamber etc; are at loggerheads with Bajarangi, the wrestler and his aide Dhakkan. They are always in search of some excuse to showdown each other. Jozi is friendly to Billoo, but her dad Colonel Three - not - Three doesnot like the boy and always points his gun at him. Billoo and his friends are often seen playing cricket in lanes of the block, and their score is few smashed windows. . Read Billoo \'s Comics ",5);arrFiles[20]=new Array(21,"admission.html","15 Oct 2009","Pran  \\'s Media Institute :: Admission --&gt; Fee Details","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER Application Form Course Details Fee Structures Download Brochure Educational Loan How to Apply Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. Admission Pran \'s Media institute has grown as one of the finest institution not only in India but also abroad. The Academy has evolved from strength, meeting challenges of new millenium and further empowering our education and practical training programmes. The trials and tribulations involved in ensuring that our young students make a niche for themselves in the Art and craft of film - making and various technical domains is a very rewarding experience. APPLY FOR A PROGRAM You can apply for a program in two ways. One is online application in which you have to fill the form online and other is By post method for that you have to download a particular form for which you are applying. POST METHOD Download Application form Click here to download. ONLINE APPLICATION METHOD &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",7);arrFiles[21]=new Array(22,"about_us.html","15 Oct 2009","Pran  \\'s Media Institute :: About us","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER Overview Vision From President \'s Desk Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. About PMI T he evergrowing advances in the field of mass communication and multimedia has opened up new vistas for the youth. It has created a huge scope for jobs of TV and multimedia pofessionals. Pran \'s media Institute gives you one step solution. Here we offer varied courses in mass communication and Animation Multimedia. In PMI, students are trained in shortest span of time by expert and experienced faculty. During the course duration, stress is not given only on theoretical training but also on practicals, so that students become able to stand high the competitive showbiz. To ensure this we have staff who matter in this trade. Not only this, we invite leading personalities from the relevant fields to give lectures or skills of the trade, time to time. PMI has been established to prepare future journalists , TV anchors , News Readers , Animators , Graphic/Web Designers and Ad makers . Since the inception, Pran \'s Media Institute has brought about innovations in the curriculum and kept itself updated and in par with the latest advances in the Media technologies. After completion of the courses every student walks with abundance of skill and Confidence to start a respectful career. &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",6);arrFiles[22]=new Array(23,"faculty.html","15 Oct 2009","Pran  \\'s Media Institute :: Faculty","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER From President \'s Desk Faculty Profiles International Visiting Faculty Visiting Faculty Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. Faculty From President \'s Desk Mr. Nikhel Pran Pran \'s Media institute has grown as one of the finest institution not only in India but also abroad. The Academy has evolved from strength, meeting challenges of new millenium and further empowering our education and practical training programmes. The trials and tribulations involved in ensuring that our young students make a niche .... read more International Visiting Faculty Prof. John A. Lent (Lifetime member, Mass media and Communication committee) Winner of more than 25 prestigious awards in various fields including cartooning.Dr. Lent honoured the PMI students.... read more &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",8);arrFiles[23]=new Array(24,"news_events.html","15 Oct 2009","Pran  \\'s Media Institute ::News &amp; Events","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER Latest in PMI Events at PMI Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. Latest in PMI Swine Flu - Awareness Programme by PMIs 20th August 2009 PMI visited by Dr. John A. Lent &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",5);arrFiles[24]=new Array(25,"articles.html","15 Oct 2009","Pran  \\'s Media Institute :: PMI articles","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER By Students By Faculty member On Universal topic Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. Articles ( By Students ) PORTRAYAL OF WOMEN IN ADVERTISING A dvertising, though holds a lot of meaning in itself, yet for a common man it is confined to TV commercials, Radio jingles and print ads. But Nevertheless it has become an indispensable part of our daily life. One cannot escape watching or listening to an Ad. Even if we are not looking at or listening to an Ad, then also it is recorded at the back of our minds and is recalled when we are buying or thinking of buying any product. It means that he Ads seriously affect our minds and thus society as a whole. So it becomes the responsibility on the part of the advertisers to always keep in mind the moral aspects and social ethics at the time of making an Advertisement. Portrayal of women in ad making is a very important matter regarding above mentioned issue. As every coin has two sides, advertising is no exception to this. Portraying women in advertising is acceptable rather necessary when we talk of the ads of house hold commodities, kitchenware, eatables, cosmetics etc. One cannot imagine an ad of a vegetable oil or fairness cream without a women. But should be acceptable only to the extent where it does no harm to the dignity of women. Once it crosses the limits it becomes offensive can have serious effects on the minds of audiences and can effect the society as well. Many examples can be cited of such ads that unnecessarily include women.,Just to add glamorous touch to it even when they are not required. For example almost in every ad of a male deo or beer one can see a glamorized distorted image of women. Unnecessary exposure of women flesh not only adversely affects the mind but also conveys  a bad message to youth and children which in turn can hamper the future of our nation. Advertisement can be called as the ‘mirror’ that helps shape the reality, it reflects. So it should be such that it does not show a distorted image of reality and mislead audiences. Advertisers should always keep in mind that ads do not portray or do not contain any such visual presentation which affect the standard of decency and dignity of women. -Priya Shrivastava Faculty of Mass Communication &lt;&lt;prev | next&gt;&gt; HTML Comment Box is loading comments... &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",8);arrFiles[25]=new Array(26,"programs.html","15 Oct 2009","Pran  \\'s Media Institute :: Courses and Programmes","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER B.Sc in MCAJ (Mass Communication Advertising &amp; Journalism ) Diploma in professional photography Diploma in TV, News, Anchoring &amp; Reporting Masters program in Acting Master programme in Radio jockey Master programme in TV production, Direction &amp; Broadcast Journalism M.Sc MCAJ (Mass Communication Advertising &amp; journalism) PG Diploma (Mass Communication Advertising &amp; journalism) News Anchoring and Broadcast Journalism Radio jockey Camera &amp; TV production Non – linear editing &amp; TV production Creative media writing Still photography &amp; photo Journalism Web Designing Professional Diploma in 3D Animation, Gaming, and Special effects Advanced Diploma in 3D animation Bachelors Degree in Multimedia and Animation Advanced program of Web Designing Courses &amp; Programmes MULTIMEDIA AND ANIMATION Professional Diploma in 3D Animation, Gaming &amp; Special Effects 18 Months 10+2 Advanced Diploma in 3D Animation 15 Months 10+2 Bachelors in Multimedia and Animation 3 Years 10+2 Masters in Multimedia and Animation 3 Years Graduate Diploma in Multimedia and Animation 2 Years Graduate Advanced Program in Web Designing 1 Year 10+2 BROADCAST MEDIA, JOURNALISM AND TV PRODUCTION Masters Program in TV Production, Direction &amp; Broadcast Journalism 1 Year 10+2 Bachelors in Journalism & Mass Communication 3 Years 10+2 Masters in Journalism & Mass Communication 2 Years Graduate Diploma in Journalism & Mass Communication 1 Year Graduate Diploma in Professional Photography 1 Year 10+2 Masters Program in TV News Anchoring and Reporting 1 Year 10+2 Masters Program in Acting 1 Year 10+2 Masters Program in Radio Jockey 1 Year 10+2 PROFESSIONAL SHORT TERM COURSES News Anchoring and Broadcast Journalism 3 Months Radio Jockey 3 Months Camera & TV production 3 Months Non-Linear Editing & TV Production 3 Months Creative Media Writing 3 Months Still Photography & Photo Journalism 3 Months Web Designing 6 Months &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Site map Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",13);arrFiles[26]=new Array(27,"john_lentnews.html","15 Oct 2009","Pran  \\'s Media Institute ::News &amp; Events","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER Latest in PMI Events at PMI Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. PMI visited by Dr. John A. Lent Dr. John A. Lent School of communication and theatre (Temple University) Philedhelphia, Pennsylvania, USA Lifetime member, Mass media and Communication committee Winner of more than 25 prestigious awards in various fields including cartooning. Dr. Lent honoured the PMI students & Staff with his presence & shared with the students, his experience in the field of media and communication & discussed about various aspects of animation and cartooning. Dr. Lent also apent his precious time with students taking a look to their work in animation & ENG & appreciated their work and encouraged them all lot. Watch Dr. Lent \'s Video while taking special class at PMI &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",6);arrFiles[27]=new Array(28,"studentskorner.html","15 Oct 2009","Pran  \\'s Media Institute :: Students Korner","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER Students works &#8212;Images &#8212;Videos Examination papers Study material Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. Students \' works ( In Still ) At Pran \'s Media Institute, we give our students an opportunity to work in the professional ambience which is at par with contemporary media industry. Every Student get chance to develop their practical skills. Here are some of the works done by our students during their courses. &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",8);arrFiles[28]=new Array(29,"sitemap.html","15 Oct 2009","Site Map Page 1 - Generated by www.xml-sitemaps.com","","","Site Map Homepage Last updated: 2009, October 15 / 60 pages Welcome to Pran \'s Media Institute :: Animation | Mass Communication | Editing | VFX | TV | News Anchoring.... Pran \'s Media Institute :: Feedback Pran \'s Media Institute :: Vision Pran \'s Media Institute :: Admission --&gt; Fee Details Pran \'s Media Institute :: Admission --&gt; Fee Details Pran \'s Media Institute :: Contact Us Pran \'s Media Institute :: Courses and Programmes :: Animation Pran \'s Media Institute :: Courses and Programmes :: TV PRODUCTION AND DIRECTION Pran \'s Media Institute :: Courses and Programmes :: TV NEWS ANCHORING AND REPORTING Pran \'s Media Institute :: Courses and Programmes :: RADIO JOCKEY Pran \'s Media Institute :: Courses and Programmes :: VIDEO EDITING Pran \'s Media Institute :: Courses and Programmes :: TV PRODUCTION AND DIRECTION Pran \'s Media Institute :: Courses and Programmes :: LIGHTS AND CAMERA Pran \'s Media Chacha Chaudhary - Pran Chacha Chaudhary - Pran Chacha Chaudhary - Pran Chacha Chaudhary - Pran Welcome to Pran \'s Media Institute :: Animation | Mass Communication | Editing | VFX | TV | News Anchoring.... Pran \'s Media Institute :: About us Pran \'s Media Institute :: Admission --&gt; Fee Details Pran \'s Media Institute :: Faculty Pran \'s Media Institute :: Courses and Programmes Pran \'s Media Institute ::News &amp; Events Pran \'s Media Institute :: PMI articles Pran \'s Media Institute :: Students Korner Pran \'s Media Institute ::News &amp; Events Pran \'s Media Institute :: Admission --&gt; Fee Details Pran \'s Media Institute :: About us Pran \'s Media Institute :: Admission --&gt; Fee Details Pran \'s Media Pran \'s Media Pran \'s Media Chacha Chaudhary - Pran Chacha Chaudhary - Pran Chacha Chaudhary - Pran Chacha Chaudhary - Pran Chacha Chaudhary - Pran Chacha Chaudhary - Pran Chacha Chaudhary - Pran Chacha Chaudhary - Pran Chacha Chaudhary - Pran Chacha Chaudhary - Pran Chacha Chaudhary - Pran Chacha Chaudhary - Pran Chacha Chaudhary - Pran Chacha Chaudhary - Pran Pran \'s Media Institute : Education loan Pran \'s Media Institute :: Admission --&gt; Fee Details Pran \'s Media Institute :: Faculty Pran \'s Media Institute :: Faculty Pran \'s Media Institute :: Faculty Pran \'s Media Institute ::News &amp; Events Pran \'s Media Institute :: PMI articles Pran \'s Media Institute :: PMI articles Pran \'s Media Institute :: PMI articles Chacha Chaudhary - Pran Chacha Chaudhary - Pran Chacha Chaudhary - Pran Chacha Chaudhary - Pran files/ 4 pages http://www.pran.in/files/application-form.pdf http://www.pran.in/files/PTU-multimedia.pdf http://www.pran.in/files/MCAJ.pdf http://www.pran.in/files/Brochure2009.pdf Page generated by XML-Sitemaps.com - A Google sitemaps and html sitemaps generator | Copyright &copy; 2006, 2007 ",9);arrFiles[29]=new Array(30,"apply-online.html","15 Oct 2009","Pran  \\'s Media Institute :: Admission --&gt; Fee Details","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER Application Form Course Details Fee Structures Download Brochure Educational Loan How to Apply Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. Apply online Your Picture Applicant \'s Name Father \'s Name Mother \'s Name Date of Birth Nationality Postal Address City State Pincode Phone Mobile E-mail Sex Male Female Category General Scheduled Caste Scheduled Tribe Other Backward Class Handicap Job Status Employed Unemployed Self-Employed Educational Qualifications 10+2 Graduate PostGraduate Annual Income (Family) Upto 50,000 50,000-1 lakh 1 lakh-2 lakh 2 - 5lakh Above 5 lakh Course Name Select Course 3 Years Bachelors of Journalism & Mass Communication 2 Years Masters of Journalism & Mass Communication 1 Year Diploma in Journalism & Mass Communication 1 Year Diploma in Professional Photography 1 Year Master Program in TV News Anchoring & Reporting 1 Year Master program in Acting 1 Year Master Program in Radio Jockey 1 Year Master Program in TV Production, Direction & Broadcast Journalism 3 Months News Anchoring and Broadcast Journalism 3 Months Radio Jockey 3 Months Camera & TV Production 3 Months Non-Linear Editing and TV Production 3 Months Creative Media Writing 3 Months Still Photography an d Journalism 6 Months in Web designing 18 Months Professional Diploma in 3D Animation, Gaming & Special Effects 15 Months Advanced Diploma in 3D Animation 3 Years Bachelors in Multimedia and Animation 2 Years Masters of Multimedia and Animation 1 Year Diploma in Multimedia and Animation 1 Year advanced Program in web Designing Declaration By Applicant I declare that above particulars given by me are correct to the best of my knowledge and belief. In the event of any information being found incorrect or misleading, my candidature shall be liable to be cancelled by the institution at any time and I shall not be entitled to refund of any fee paid by me. Where did you hear about this Institution? Internet PMI Student Print Ad Seminars Others Image Verification Please enter the text from the image : [ Refresh Image ] [ What \'s This? ] &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",16);arrFiles[30]=new Array(31,"files/application-form.pdf","15 Oct 2009","Graphic2","","","    ",1021);arrFiles[31]=new Array(32,"feedetails.html","15 Oct 2009","Pran  \\'s Media Institute :: Admission --&gt; Fee Details","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER Application Form Course Details Fee Structures Download Brochure Educational Loan How to Apply Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. Fee Details Mass Communication COURSE NAME DURATION FEES B.Sc in Mass Comm, Advertising &amp; Journalism(MCAJ)...............................................3 Years.................................2,30,000* INR M.Sc in Mass Comm, Advertising &amp; Journalism............................................................2 Years.................................1,70,000* INR PG Diploma in MCAJ...........................................................................................................1 Year...................................1,10,000* INR Diploma in Television, News, Anchoring(TNA)..............................................................1 Year...................................1,10,000* INR Diploma in Radio jockey(RJ).............................................................................................1 Year...................................1,10,000* INR Diploma in Camera.............................................................................................................1 Year...................................1,10,000* INR Video Editing.........................................................................................................................3 Months.................................55,000* INR Acting......................................................................................................................................1 Year...................................1,10,000* INR Creative Writing....................................................................................................................3 Months.................................55,000* INR Animation and Multimedia B.Sc in Multimedia and Animation....................................................................................3 Years...............................2,30,000* INR M.Sc in Multimedia and Animation....................................................................................2 Years.............................. 1,70,000* INR PG Diploma in Multimedia and Animation......................................................................2 Years.............................. 1,10,000* INR Pro3D+ (professional diploma in 3D Animation, Gaming &amp; Special effects)..........18 Months.......................... 1,10,000* INR AD3D+ (Advanced diploma in3D animation)..................................................................15 Months..............................80,000* INR *excluding tax. Tax extra &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",8);arrFiles[32]=new Array(33,"from_president's_desk.html","15 Oct 2009","Pran  \\'s Media Institute :: About us","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER Overview Vision From President \'s Desk Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. From President \'s Desk Mr. Nikhel Pran (Director) Pran \'s Media Institute has grown as one of the finest institution not only in India but also abroad. The Academy has evolved from strength, meeting challenges of new millenium and further empowering our education and practical training programmes. The trials and tribulations involved in ensuring that our young students make a niche for themselves in the Art and craft of film - making and various technical domains is a very rewarding experience. The boom in billion dolllar TV industry has suddenly opened up the vistas for man power for the young. It has created huge demand for jobs of TV Anchors, Reporters, cameraman, Editors, Script writers, directors, non-linear editors and Animators. PMI is the place which imparts training in the shortest period for the above profession by experts and experienced staff. During the course of training the stress is give on the students making themselves able to stand high in the competitive show business. to achieve their goal we have hired the services of the staff who matter in the trade. PMI courses are set to provide training theoritical as well as practicaly for the student who want to niche as a full time career in the world of film and television. The courses are so moulded as to help the trainees to develop their personalitites the courses for production, direction , TV anchoring, Media Reperting, Camera Shoooting, Editing, script writing and lighting techniques, multimedia are so planned they help important professional competence in the students. &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",7);arrFiles[33]=new Array(34,"files/PTU-multimedia.pdf","15 Oct 2009","Microsoft Word - NewCoverPage.doc","","","With Updates  PUNJAB TECHNICAL UNIVERSITY Jalandhar  DISTANCE EDUCATION PROGRAMME http://www.ptu.ac.in  Syllabus Manual  Multimedia Technology Courses  Applicable to September 2005 Admission Batch  © Copyright, Punjab Technical University    Contents Scheme Diploma in Multimedia Technology (DMM) B.Sc. (Multimedia Technology) (BSCMM) Post Graduate Diploma in Multimedia Technology (PGDMM) M.Sc. (Multimedia Technology) (MSCMM) Page No. Syllabus B.Sc. (Multimedia Technology) (BSCMM)................... M.Sc.(Multimedia Technology) (MSCMM).................. 07-30 31-50    PUNJAB TECHNICAL UNIVERSITY Jalandhar  DISTANCE EDUCTION PROGRAMME http://www.ptu.ac.in  Scheme  September 2005  © Copyright, Punjab Technical University  Page 1 of 50    Scheme of Papers  Diploma in Multimedia Technology (DMM)  Semester One Contact Hours(Per semester) Theory Exam Marks Practical Exam Marks Duration of Exam Remarks  Sr 1 2 3 4 5  Paper code  BSc.mm - 101 BSc.mm - 102 BSc.mm - 103 BSc.mm - 104 BSc.mm - 105  Paper name  Graphics Desktop Publishing Digital Art Photography Project Practical  Theory Hrs  40 40 40 -  Practical Total Hrs Internal External Total Internal External Total Hrs  40 40 40 80 80 80 25 25 25 75 75 75 100 100 100 25 25 100 75 100 100 3 Hrs 3 Hrs 3 Hrs 3 Hrs Practical (Internal) Practical  Total  Semester Two  120  120  240  300  Theory Exam Marks  200  Practical Exam Marks Duration of Exam  500 Total  Remarks  Contact Hours(Per semester)  Sr 1 2 3 4 5  Paper code  BSc.mm - 201 BSc.mm - 202 BSc.mm - 203 BSc.mm - 204 BSc.mm - 205  Paper name  Digital Photography (Part-2) Transfering digital photographs Advertising Project Practical  Theory Hrs  40 40 40 -  Practical Total Hrs Internal External Total Internal External Total Hrs  40 40 40 80 80 80 25 25 25 75 75 75 100 100 100 25 25 75 75 100 100 3 Hrs 3 Hrs 3 Hrs 3 Hrs Practical (Internal) Practical  Total  120  120  240  300  200  500 Total  Page 2 of 50    Scheme of Papers  BSc. Multimedia Technology (BSc. MM)  Semester One Contact Hours(Per semester) Theory Exam Marks Practical Exam Marks Duration of Exam Remarks  Sr 1 2 3 4 5  Paper code  BSc.mm - 101 BSc.mm - 102 BSc.mm - 103 BSc.mm - 104 BSc.mm - 105  Paper name  Graphics Desktop Publishing Digital Art Photography Project Practical  Theory Hrs  40 40 40 -  Practical Total Hrs Internal External Total Internal External Total Hrs  40 40 40 80 80 80 25 25 25 75 75 75 100 100 100 25 25 100 75 100 100 3 Hrs 3 Hrs 3 Hrs 3 Hrs Practical (Internal) Practical  Total  Semester Two  120  120  240  300  Theory Exam Marks  200  Practical Exam Marks Duration of Exam  500 Total  Remarks  Contact Hours(Per semester)  Sr 1 2 3 4 5  Paper code  BSc.mm - 201 BSc.mm - 202 BSc.mm - 203 BSc.mm - 204 BSc.mm - 205  Paper name  Digital Photography (Part-2) Transfering digital photographs Advertising Project Practical  Theory Hrs  40 40 40 -  Practical Total Hrs Internal External Total Internal External Total Hrs  40 40 40 80 80 80 25 25 25 75 75 75 100 100 100 25 25 75 75 100 100 3 Hrs 3 Hrs 3 Hrs 3 Hrs Practical (Internal) Practical  Total  Semester Three  120  120  240  300  Theory Exam Marks  200  Practical Exam Marks Duration of Exam  500 Total  Remarks  Contact Hours(Per semester)  Sr 1 2 3 4 5  Paper code  BSc.mm - 301 BSc.mm - 302 BSc.mm - 303 BSc.mm - 304 BSc.mm - 305  Paper name  Fundamentals of web designing & java script HTML Basics 2D Animation Project Practical  Theory Hrs  40 40 40 -  Practical Total Hrs Internal External Total Internal External Total Hrs  40 40 40 80 80 80 25 25 25 75 75 75 100 100 100 25 25 75 75 100 100 3 Hrs 3 Hrs 3 Hrs 3 Hrs Practical (Internal) Practical  Total  Semester Four  120  120  240  300  Theory Exam Marks  200  Practical Exam Marks Duration of Exam  500 Total  Remarks  Contact Hours(Per semester)  Sr 1 2 3 4 5  Paper code  BSc.mm - 401 BSc.mm - 402 BSc.mm - 403 BSc.mm - 404 BSc.mm - 405  Paper name  Flash website design 3D Introduction & Advanced (Modeling & Animation) Part-1 3D Introduction & Advanced (Modeling & Animation) Part-2 Project Practical  Theory Hrs  40 40 40 -  Practical Total Hrs Internal External Total Internal External Total Hrs  40 40 40 80 80 80 25 25 25 75 75 75 100 100 100 25 25 75 75 100 100 3 Hrs 3 Hrs 3 Hrs 3 Hrs Practical (Internal) Practical  120  120  240  300  Theory Exam Marks  200  Practical Exam Marks Duration of Exam  500 Total  Semester  Five  Contact Hours(Per semester)  Remarks  Sr 1 2 3 4 5  Paper code  BSc.mm - 501 BSc.mm - 502 BSc.mm - 503 BSc.mm - 504 BSc.mm - 505  Paper name  Video introduction & advance Digital editing Sound editing Project Practical  Theory Hrs  40 40 40 -  Practical Total Hrs Internal External Total Internal External Total Hrs  40 40 40 80 80 80 25 25 25 75 75 75 100 100 100 25 25 75 75 100 100 3 Hrs 3 Hrs 3 Hrs 3 Hrs Practical (Internal) Practical  120  Semester Six  120  240  300  Theory Exam Marks  200  Practical Exam Marks Duration of Exam  500 Total  Remarks  Contact Hours(Per semester)  Sr 1 2 3 4 5  Paper code  BSc.mm - 601 BSc.mm - 602 BSc.mm - 603 BSc.mm - 604 BSc.mm - 605  Paper name  Script writing & story board designing Realistic concepts of animation & special effects Director basics Project Practical  Theory Hrs  40 40 40 -  Practical Total Hrs Internal External Total Internal External Total Hrs  40 40 40 80 80 80 25 25 25 75 75 75 100 100 100 25 25 75 75 100 100 3 Hrs 3 Hrs 3 Hrs 3 Hrs Practical (Internal) Practical  120  120  240  300  200  Page 3 of 50  500 Total    Scheme of Papers Post Graduate Diploma in Multimedia Technology (PGDMM)  Semester One Contact Hours(Per semester) Theory Exam Marks Practical Exam Marks Duration of Exam Remarks  Sr  1 2 3 4 5  Paper code  MSc.mm - 101 MSc.mm - 102 MSc.mm - 103 MSc.mm - 104 MSc.mm - 105  Paper name Script writing & story board designing Desktop Pblishing Advance Digital art Photography (Part-1 & 2) Project Practical  Two  Theory Hrs  40 40 40 120  Practical Total Hrs Internal External Total Internal External Total Hrs  40 40 40 120 80 80 80 240 25 25 25 75 75 75 100 100 100 300 25 25 75 75 100 100 200 3 Hrs 3 Hrs 3 Hrs 3 Hrs Practical (Internal) Practical 500 Total  Semester  Contact Hours(Per semester)  Theory Exam Marks  Practical Exam Marks  Duration of Exam  Remarks  Sr  1 2 3 4 5  Paper code  MSc.mm - 201 MSc.mm - 202 MSc.mm - 203 MSc.mm - 204 MSc.mm - 205  Paper name 2D Animation 3D Introduction & Advanced (Modeling & Animation) Audio & Video Project Practical  Theory Hrs  40 40 40 120  Practical Total Hrs Internal External Total Internal External Total Hrs  40 40 40 120 80 80 80 240 25 25 25 75 75 75 100 100 100 300 25 25 75 75 100 100 200 3 Hrs 3 Hrs 3 Hrs 3 Hrs Practical (Internal) Practical 500 Total  Page 4 of 50    Scheme of Papers MSc. Multimedia Technology (MSc. MM)  Semester One Contact Hours(Per semester) Theory Exam Marks Practical Exam Marks Duration of Exam Remarks  Sr  1 2 3 4 5  Paper code  MSc.mm - 101 MSc.mm - 102 MSc.mm - 103 MSc.mm - 104 MSc.mm - 105  Paper name Script writing & story board designing Desktop Publishing Advance Digital art Photography (Part-1 & 2) Project Practical  Two  Theory Hrs  40 40 40 120  Practical Total Hrs Internal External Total Internal External Total Hrs  40 40 40 120 80 80 80 240 25 25 25 75 75 75 100 100 100 300 25 25 75 75 100 100 200 3 Hrs 3 Hrs 3 Hrs 3 Hrs Practical (Internal) Practical 500 Total  Semester  Contact Hours(Per semester)  Theory Exam Marks  Practical Exam Marks  Duration of Exam  Remarks  Sr  1 2 3 4 5  Paper code  MSc.mm - 201 MSc.mm - 202 MSc.mm - 203 MSc.mm - 204 MSc.mm - 205  Paper name 2D Animation 3D Introduction & Advanced (Modeling & Animation) Audio & Video Project Practical  Three  Theory Hrs  40 40 40 120  Practical Total Hrs Internal External Total Internal External Total Hrs  40 40 40 120 80 80 80 240 25 25 25 75 75 75 100 100 100 300 25 25 75 75 100 100 200 3 Hrs 3 Hrs 3 Hrs 3 Hrs Practical (Internal) Practical 500 Total  Semester  Contact Hours(Per semester)  Theory Exam Marks  Practical Exam Marks  Duration of Exam  Remarks  Sr  1 2 3 4 5  Paper code  MSc.mm - 301 MSc.mm - 302 MSc.mm - 303 MSc.mm - 305 MSc.mm - 306  Paper name Digital editing Sound editing MAYA (Professional animation) Project Practical Four Paper name  Cartoon animation Digital animation & special effects Interactive Media Final Project Practical  Theory Hrs  40 40 40 120  Practical Total Hrs Internal External Total Internal External Total Hrs  40 40 40 120 80 80 80 240 25 25 25 75 75 75 100 100 100 300 25 25 75 75 100 100 200 3 Hrs 3 Hrs 3 Hrs 3 Hrs Practical (Internal) Practical 500 Total  Semester Sr  1 2 3 4 5  Contact Hours(Per semester)  Theory Exam Marks  Practical Exam Marks  Duration Remarks of Exam  Paper code  MSc.mm - 401 MSc.mm - 402 MSc.mm - 403 MSc.mm - 404 MSc.mm - 405  Theory Hrs  40 40 40 120  Practical Total Hrs Internal External Total Internal External Total Hrs  40 40 40 120 80 80 80 240 25 25 25 75 75 75 100 100 100 300 25 25 75 75 100 100 200 3 Hrs Practical (Internal) Practical 500 Total 3 Hrs 3 Hrs  Page 5 of 50    PUNJAB TECHNICAL UNIVERSITY Jalandhar  DISTANCE EDUCTION PROGRAMME http://www.ptu.ac.in  Syllabus  September 2005  © Copyright, Punjab Technical University  Page 6 of 50    B.Sc (MM) 101 ­ Graphics First Semester I.  Total assessment = 100 External = 75 Internal = 25  II. III  IV  V VI VII  VIII IX  X  Basics of Sketching & Drawing (with practice) Lines in different grades o pencils HB +0.8b, Shading in pencil medium, shading in different angles of pencil strokes, formatting in different textures in pencil, shading, simple objects in drawing, simple shapes of geometrical shapes, paper division & forming of sky land, stones , deserts, trees & plants, roadsides, rivers, perspective in lines in landscapes, different head shapes, characters, human anatomy parts like hand, legs, arms, horror characters. The Process of Design Marketing consideration, creative concepts, shooting a add, preparing for production, production, Sign and Technology ascending descending, leading, kerning, appropnateness, harmony, apprenace, emphasis, copy casting and type specification, copy casting , character-count method , word ­count method, points, picas, typesetting, typesetting methods, photo Text and Typography Typography, type setting , readability, classes of type, display type, type groups, roman, serifs, gothic, block, square serif type, a font , cursive or script type, measuring type, size, width, resolution, compositing, The shape of Design Planning for print production, overlay, camera ready, dates and deadlines. Design in Publishing Typesetting, photoplatemaking. Various types of Papers Basics weight, caliper, equivalent weight, basics weight, acid free paper, antique finishing, brightness, basics weight, Bristol \'s, bulk, calendaring, bond, recycled, symbol  m  , symbol  mm  . Packaging & Product Design To make the packing boxes design, hands on designing using computer, making layouts for real printing, with margins typesetting. Basics of Printing Technology Application, screen fabrics, filament, mesh count, strength, weave patterns, silk, organdy, nylon, polyester, metal mesh, paper, stencil types, direct and in direct, ink , press types, flatbed, flatbed cylinder, cylinder, textiles, precision flatbed, rotary. The Production Process Role of production manager, impact and non impact printers, preparing production, planning print production.  Page 7 of 50    Total assessment = 100 External = 75 Internal = 25 B.Sc (MM) 102 - Desk Top Publishing (By using Corel Draw, Photoshop & PageMaker) First Semester I. Computer Basics Introduction: Introduction to computers, parts of computer system, hardware, software, difference between hardware and software, user, data, processor, memory, input devices, output devices. Generations of Computers: 1st, 2nd, 3rd, 4th, 5th generation. Basic computer organization: C.P.U, A.L.U. Keyboard, Mouse, OMR, OCR, Bar Code Reader, Scanner, Light pen, Cameras etc.Output Devices: Monitors (CRT, FST, LCD), Impact and non impact printers (Dot matrix, Inkjet, LaserJet), Plotters. Storage Devices: Hard Disk, Floppy disk, CD \'s, DVD \'s.  II.  Operating System Introduction: Introduction to Operating System, its need and Operating System services; Operating System classification - single user, multi-user, simple batch processing, Multiprogramming, Multitasking, Parallel system, Distributed system, Real time system Basic Designing Software Windows Paint, Basics Concept making and Implement on Computer, Colour knowledge, Generating Ideas, Basics About Various Software \'s in Industry for still image manipulating, knowledge about pixels, measuring units in diff image manipulating software \'s. Vector Graphics ( Designing, Color Theory , Vector Designing & Editing, Text Formatting ) Interface: working with menus, toolbars, Dockers Document Setup: Setting Page Size& Orientation, Document Navigation Rulers & Guidelines: Status Bar Text: Formatting, Text Layout, Skewing and rotating, Creating drop shadow, Text to Path, Extruding text Objects: Grouping & locking objects, Combining & breaking apart, Transforming & Shaping, Cutting objects apart, Trim, weld & Intersection of objects Lines & Curves: Using freehand & Bezier tool, Line properties, Arrowheads Eraser & artist media tools Nodes & Paths Color & Fills: Solid Color, Color Palettes, Eyedropper & Paint bucket, Fountain, Fills, Patterns, Texture Fills, Interactive Mesh Fill Special effects: Envelopes, Blends, Perspective, Shadow Objects, Power clip Command, Transparency, Distortion, Contour, Lens Docker Complex Shapes: Polygon & Stars, Spirals Printing Menu. Raster Graphics ( Designing , Color Theory , Raster Designing & Editing, text Formatting Getting to Know the Work Area, Starting to work in Adobe Photoshop, Colour modes, Colour, Using the tools, Selecting and using a tool from the toolbox, Using the tool options bar and other palettes, Customizing the workspace, Using Photoshop Help, Viewing and editing files in Adobe Bridge, Embedding information for easy identification, Automating routine tasks, Resolution and image size, Straightening and cropping an image, Making automatic adjustments, Manually adjusting the tonal range, Replacing  III.  IV.  V.  Page 8 of 50    colors in an image, Adjusting lightness with the Dodge tool, Adjusting saturation with the Sponge tool, Retouching and Repairing, Repairing areas with the Clone Stamp tool, Using the Spot Healing Brush tool, Using the Healing Brush and Patch tools, Retouching on a separate layer, Working with Selections, About selecting and selection tools, Selecting with the Magic Wand tool, Using the Magic Wand with other selection tools, Working with oval and circular selections, Selecting with the lasso tools, Rotating a selection, Selecting with the Magnetic Lasso tool, Cropping an image and erasing within a selection, Layer Basics, Using the Layers palette. VI. Page Making Document Setup Option Page Type, Page Style, Page Numbering, Page Measurement Standard Tool Bar Options Create New Document with Setting, Open & Store Options, Preferences Import & Export Objects options, Scanning, Document Setup, Columns Guide Setting, etc. Formatting Tool Bar Option Copy Paste Options, Cross Pasting, Multiple Pasting, Insert Objects, Import Images & Text from other Objects etc. Text Setting Options Fonts Setting, Control Palette, Paragraph Setting, Text Warping, Master Files, Text Rotating options Alignment Setting, Text Colors. Rulers & Guide Lines, Print Out Bar Import Objects, Polygon Setting, Draw & Filling Objects, Alignment Setting of the Images etc.  Books Reference:· Adobe PageMaker 7.0 classroom in a Book. By (Adobe Publisher). · Ramesh Bangia ­Learning Photoshop CS Khanna Book Pub · Ramesh Bangia- Learning Multimedia Khanna book pub. · Ramesh Bangia- Computer Basics Khanna book pub. · Corel draw 12 ­ The Official guide By ­ Corel Press.  Page 9 of 50    B.Sc (MM) 103 - Digital Art Photography - 103 First Semester I. II. III.  Total assessment = 100 External = 75 Internal = 25  The Exploration Stage The past and future of Photography (Digital Photography), Types of Cameras, Choosing Cameras, Start Taking Photos, Using buttons and menus. Selection and Treatment Selecting image size and quality, Image management, Photo editing tools Color management. Execution , Installation & Presentation Choosing Exposure modes, how your exposure system works and affects your image. Installation of different types of Image Editing Software, Slide show programs and background music, E-mail and websites, displaying images Wallpapers Digital Photography (Part ­ 1)  I II  Inside the digital camera Image sensor and types, Built in memory and memory cards. The Principles of Photography The General Principles of Photography Types of cameras: Miniature Cameras, medium format cameras, large format camera and digital cameras. Comparative study of digital Camera and analogue(SLR) camera. Advantages and applications of digital photography. Lenses: Normal, wide, tele, zoom, PC and TS lens. Working of a lens and angle of view of a lens. Camera Controls: Shutter speed aperture exposure control, auto winder or motorized camera, depth of field, selective focus. Exposure Meter: Incident meter and reflected meter. Metering System: Center weighted, Spot and Matrix metering. Filters: UV Filter, Polarizing filter, special effect filters and tripod. Composition: Creative Composition, rule of thirds and Golden section. Flash and its types. Managing Your Digital Assets Managing digital cameras, Cleanness, Precautions, Managing Images printouts, Burning CDs Tom Ang: Digital Photography an Introduction Publisher \'s Name: Dorling Kindersley Ltd.  III  Book Ref:  Page 10 of 50    Total assessment = 100 External = 75 Internal = 25 B.Sc (MM) 104 - Project First Semester Design a Logo, a letterhead and a visiting card.  B.Sc (MM) 105 - Practical First Semester Practical on all the subjects of 1st semester.  Total assessment = 100 External = 75 Internal = 25  Page 11 of 50    B.Sc (MM) 201 - Digital Photography (Part ­ II) Second Semester 1. Beyond the Basics. Camera Controls and Creativity About Digital Photographs Automatic All the Way Working of Digital Camera and comparison Selecting Images Size and Quality (Photoshop) Definition of shutter speed in Using Shutter Speed in detail, definition of aperture Selecting Exposure Modes Types of Lenses 2. Photographing people Photography aesthetics of people (Male, females, couples, groups & child Photography) In studio and out door and available light 3. Product Photography Using Selective Focus Exposure affects you Images Controlling Brightness and Contrast Close up Photography. 4. Interior and Exteriors Architectural photography Industrial shooting (Internal & external) And use of various wide angle lenses. Landscape photography, science shorts. 5. Action and Sports Photography To capture the action, in different ways, to know the game first, Selecting the equipments according to the game. (Use of various zoom and tele lenses and tripods) 6. The Photo Shoot from Start to Finish Photography on the given theme to selecting subject To select the equipment the location and finally shooting. Book Ref: Tom Ang: Digital Photography an Introduction Publisher \'s Name: Dorling Kindersley Ltd.  Total assessment = 100 External = 75 Internal = 25  detail,  delineation  of  aperture  Page 12 of 50    B.Sc (MM) 202 - Transferring Digital Photographs Second Semester I  Total assessment = 100 External = 75 Internal = 25  Transferring Devices ATA-Flash-Cards, The exchange of digital informationbetween two or more computers. Data is usually transmitted via a direct cable connection, a computer network, ADconversion, I.C Cards PC-Card, ID Photo MO Disk The smallest rewritable optical storage medium for digital cameras. A joint development from Olympus, Sanyo and Hitachi Maxell. It features an amazing capacity of 730 MB. This means about 2,000 photos can be taken before the media needs to be changed. Image converter Semiconductor-image converter (CCD chip). Image transmission/ transfer the digitization of images means they can be transmitted via data carriers or networks without the loss of quality or copied an infinite number of times. II Blue Tooth Blue tooth carries a wlan concept to a small scale, low power 10 m range, also known as personal is networking (pan) Bluetooth Profile Dependencies, data transferring, connection, wireless signals. Bluetooth file transfer profile (FTP) -- enables browsing of the file system of other Bluetooth devices which support Bluetooth FTP, serial port (SPP) --provides a wireless serial connection to other Bluetooth devices, human interface device (HID) enables the use of Bluetooth input devices (keyboards and mice). Data Cable USB based wires with both ends with the commutability of USB with computers, palmtops, I ­pods, to transfer the data from one device to another, compatibility with memory card readers pro.different devices in which data cable is used, use of data cable in internet browsing. Pen Drive Temporary storage devices, attach with computer, having USB head compatible plug and play utility. I-pods, Pen drives with music player option, pen drive capacity of data storage, software \'s of pen drive for win 98, formatting the pen drive, labeling the pen drive, handling and caring of the pen drive, diff brands dealing with pen drive . CD Burning Cd writing, cd writing software \'s, making video of still images, making data cd, making the labels for the cd, formatting the re-writable cd, diff types of cd available , storage capacity of cds , labeling the cd \'s, storing and handling the cd \'s, CD Burning. Discovering Blue Tooth - BPB Publisher.  III  IV  V  Book Ref:  Page 13 of 50    B.Sc (MM) 203 - Advertising Second Semester  Total assessment = 100 External = 75 Internal = 25  Advertising: Meaning, Nature, Functions, Benefits, History, Nature (Art, Science, and Profession), Ethics in Advertisement... Social and Economic aspects in advertising. Types of Advertising : (Classified advertisements, Display advertisements, Hard Sell advertisement, Soft sell advertisements, Reminder advertisements, Prestige advertisements, Humorous advertisements, Professional advertisements, National advertisements, Local advertisements, Global advertisements, Product Advertising, Service Advertising, Institutional Advertising, Consumer Advertising, Distributor Advertising, Retail Advertising, industrial Advertising, Educational Advertising, Financial Advertising, Travel and Entertainment Advertising, Co-operative Advertising, Advertising, by Government and Public Bodies) Advertisement relationship with the product life cycle. Advertisement as a communication tool. Marketing communication process. Advertisement as a Marketing Tool: Marketing, Marketing Mix, Advertisement and Product (Positioning and Packaging), Place, Price, Promotion. AIDA Model. Media Selection and Media Planning. Types of Media: Newspapers, Television ,Radio, Magazines, Web advertising, Exhibitions, Telemarketing ,Posters and Hoardings. Advertisement Campaign: Campaign Planning and Process Advertisement Agency: Structure, Client Agency Relationship, Agency Media Relationship, Compensation. Advertisement Budget: Meaning &Methods Advertisement Copy & Layout Designing: Types of Advertisement Copy, Types Of Headlines. Components of Layout. Production: Advertisement Production Process and Implementation, Typography. Regulation of Advertisement in India. ASCI (Advertisement Standard code of India), Deceptive advertising. Books Ref: 1. 2. 3. By: S.A. Chunawala and K.C. Sethia (Himalaya Publishing House) Foundations of Advertisement-Theory and Practice By: Rajeev Batra, John G.Myers, David A. Aaker (Prentice Hall of India) Advertisement Management Regulation of advertising in India.  Page 14 of 50    B.Sc (MM) 204 - Project Second Semester Design a Print ad or create a digital photo album (minimum 30 photographs).  Total assessment = 100 External = 75 Internal = 25  Total assessment = 100 External = 75 Internal = 25 B.Sc (MM) 205 - Practical Second Semester Practical on all the subjects of 2nd semester.  Page 15 of 50    Total assessment = 100 External = 75 Internal = 25 B.Sc (MM) 301 - Fundamentals of Web Designing   Java Script Third Semester I. The Fundamentals of Web Design The web we know today, working of web, history of web, evolution of world wide web, now days the use of internet, sample web pages, how did they are constructed, function and stand point, hands on good web sites , browsing good web sites, analyzing a sample site from a function standpoint. The Principal of web Design Well designed site from a poorly conceived one, difference between web and print design, focusing on those issues a web designer, discover top tem web design, and critique a sample site from an esthetic perspective. Getting Started in Web Design A technology does a web designer need to be master, look at well-stocked web design, software option for digital imaging, HTML editors and Multimedia, real-world design environment. Getting to know Java Script Introduction, what is an object, object encapsulate state and behaviour, implementing objects, introduction, about the class, object description, methods, need for class, classes as abstraction, for sets of objects, class of object factory, about java, history of java, bytes code, java virtual machine, characteristics of java, types of java programming, writing program on bluej environment, creating a bluej project, adding a new class to your project, editing a class code, compiling the sources code, saving output from the console window, printing your source, code, closing a project, opening an exiting bluej project, executing a java application \'s main method, creating (executable)jar file, creating documentation Script Analysis and Event Handlers Java character set, keywords, identifiers, literals, operators, concept of data types, primitive data type, reference types, variables, declaration of variables, initialization of variables, V. Working with Complete scripts Operation in java, expressions, java statements, significance of classes, object as instance of class, function definition, function prototype and signature, accessing a function, call by reference, function overloading, calling overloaded function.  II.  III.  IV.  V  Book reference: · ABC of java script (By Purcell) - BPB - Publisher · BEGINNING JAVA SCRIPT (By Paul Wilton) Publisher: Wiley Dreamtech  Page 16 of 50    B.Sc (MM) 302 - HTML Basics Third Semester  Total assessment = 100 External = 75 Internal = 25  I.  The ABCs of HTML Begins with an HTML overview, how HTML evolved, how to construct a basic HTML page, explore the ins and outs of formatting, Web colors, images, and links, essential elements of a Web page, to create files and folders using the correct directory structure, view source code to learn from the inspiration of others, create an online menu for a restaurant. Tools for Tables HTML tables are used everywhere on the Web as a layout, content organization tool, tools for tables, construct them,, format them, place elements in them, and fix them when they break, to add sophistication to your tables by modifying their properties, adding background colors and images, and using cols pan and row span tags, explore a common application for tables by building an e-commerce product page from scratch. Putting it all together A taste of some of the challenges of a professional HTML assignment, the dynamic templates often used to construct e-commerce sites, an introduction to how HTML interacts with other coding languages such as ASP and Cold Fusion, the  front end  of a form is created, to create common form elements, wraps up with a guide to common HTML troubleshooting issues, create a 4-page  prototype  for an ecommerce site.  II.  III.  Book Ref: · · · · HTML in an Instant (By Ruth Maran) Publisher: Wiley Dreamtech HTML Complete (By Sybex) Publisher: BPB Publications WORLD WIDE WEB DESIGN WITH HTML(By XAVIER, C) Publisher: Tata McGraw-Hill HTML The Complete Reference(By POWELL, T.) Publisher: Tata McGraw-Hill  Page 17 of 50    Total assessment = 100 External = 75 Internal = 25 B.Sc (MM) 303 - 2D Animation Third Semester  Intro to flash About 2d animation, Properties Bar, Size and Publish Symbols and Layers Library, Insert layer, Motion Guide Frame and Animation Frame rate Making animation Bells and Whistles Scripting Making a Splash Making interactive buttons Interactive Adventure Compiling objects Bringing movement to the web Creating and uploading to web Beyond the Frames Understanding frames size, Frame rate, Symbol Frame of Mind Optimized flash player, about framing Books Reference:· Ramesh Bangia (Khanna Book Publishing Co. Pvt Ltd). Learning Flash MX 2004  Page 18 of 50    Total assessment = 100 External = 75 Internal = 25 B.Sc (MM) 304 - Project Third Semester Design a website using 2D animation in flash & HTML tags. Total assessment = 100 External = 75 Internal = 25  B.Sc (MM) 305 - Practical Third Semester Practical on all the subjects of 3rd semester.  Page 19 of 50    B.Sc (MM) 401 - Flash Website Design Fourth Semester I. The New Paradigm  Total assessment = 100 External = 75 Internal = 25  II.  III.  IV. V.  Flash \'s as an animation tool and evolvement as multimedia powerhouse .the key advantages of designing Web sites with Flash for motion and interaction. In your first exercise, compare and contrast a Flash site with an HTML site and experiment with a high-level Flash design. Design and Construction Work in the Flash environment with layers and frames organized. Concept and file structure of the Flash Web site is broken down into its main components. plan site \'s content and build the framework. Interface, Navigation, and Structure A site \'s interface, contents. Design of overall interface with specific attention to navigation systems, button design, and way finding methods. World of high-level, experimental interfaces intensity. Flash-based navigation, from modern art and the principles of abstraction. The Stage, Transitions, and Behaviors Script dictates techniques for transitioning your content in and out of main interface, drawing attention to important information and features with quick, tasteful animations. Framing and Usability HTML designing with Flash methods of embedding Flash site in an HTML page for optimal viewing. Publish your site, usability concerns, Flash usability debate. HTML for a seamless experience, and publish it to the Web.  VI.  The Future of Flash Site Design Flash Web site with a splash preloader page that occupies users \' interest as main site loads.  Books Ref: - Flash MX BIBLE (By BPB Publisher)  Page 20 of 50    Total assessment = 100 External = 75 Internal = 25 B.Sc (MM) 402 - 3D Introduction & advanced (Modeling & Animation) Part-1 Fourth Semester I. Getting in Control of 3D Space. Menu commands, File Menu, Edit Menu, Tools menu, Group Menu, view Menu. Main Toolbar, Working with Viewports and files: Controlling the Viewports: Zooming a view, panning a view, rotating a View, Maximizing the active Viewports, max Scene files. Saving files, opening files, merging and replacing objects. Importing and exporting files. Solid Modeling and the tools of the Trade. Create menu, Modifiers Menu, Command Panel: Create, Modify, Hierarchy, motion, display, Utilities. Color, Texture and surface styles. The Material Editor, colors and patterns in materials, multiple materials on single objects, lofting the materials, bump mapping, luminance values, maps, mapping coordinates, materials, multi/sub-object materials, procedural maps. Material Editor: sample window, sample sphere, material type, material name, get material, assign material to selection, materials and mapping, importing maps & textures from photoshop. Tips and tricks for good lighting. Standard sunlight system, faking bounced light, daylight system, angle of incidence, attenuation, exposure control, photometric lights, radiosity, standard lights with scan line rendering, photometric lights with radiosity render, skylight with light tracer rendering, sunlight system, day light system, Skylight. Target spot, free spot, target direct, and free direct, omni. Day light with exterior scenes. Virtual camera movement. Camera types, Creating and adjusting cameras, Camera composition, Camera movement, Focal length, Field of view, Cut edit, Fade or dissolve edit, Camera Basics, Target cameras, Free cameras, Adjusting the Field of View, Dolling and zooming, Crabbing and panning, Basic scene editing, Take the time to watch film and television with a more critical eye toward the techniques employed by directors to involve you, the viewer, in the world created by the camera. For still images, you can refer to books and magazines on architecture or product design to develop a feel for how the focal length and the composition of cameras can affect your perception of the scene. Dummy properties Dummy objects, animating the Rotation of the Dummy Object, Fundamental key frame animation, Repeating animation over time, Hierarchical linking. Book Ref: - New Riders 3ds max 7 Fundamentals. 3d \'s Max 5 Fundamentals - Ted Boardman (Techmedia)  II  III  IV  V  VI  Page 21 of 50    Total assessment = 100 External = 75 Internal = 25 B.Sc (MM) 403 -3D Introduction & advanced (Modeling & Animation) Part II Fourth Semester VII Animation, multimedia & virtual reality Fundamental key frame animation, repeating animation over time, Hierarchical linking, Key frame, Parameters Out-of-Range, Setting Animation Keys, Animating the Rotation of the Dummy Object, Creating a Continuously Looping Animation. Using advanced techniques. Assigning Constraints on the Motion Panel, Applying an Ease Curve to Control Animation, Multiplier curves, Link constraint, Inverse kinematics, Solver, Applying Multiplier Curves, and Switching Hierarchical Parents. Advanced Modeling Editable poly, Symmetry modifier, Lathe modifier, Merge, Quad polygon, Settings dialog, NURMS, Editing Using Multiple Viewports, Adding Detail to the Model, Tessellate, Deformation, XRef, Using Modifiers to Add Detail to 3D Objects, Merging Files While Retaining a Connection. Advanced lighting effect Placing and adjusting photometric lights, Using exposure control, Adjusting meshing parameters, Controlling color bleed and reflectance, Making materials act as lights, Attenuation, Direct illumination, Indirect illumination, Refine Iterations, Filtering, Reflectance, Placement and Adjustment, Applying Exposure Control, Setting Radiosity Meshing at the Local Level, Controlling Radiosity Using Materials. Applying Advanced Lighting Override Material. Advanced Animation The Fundamentals of Hierarchical Linking, Animation controllers, Track View Dope Sheet, Ease curves, Controllers, Constraints, Graph editors, Ease curves. Architectural modeling / industrial modeling and animation Modeling the Building with exteriors and interiors, the lights should be properly placed in the scene. Modeling the Mech. components, for eg: - hand tools, Auto components & animating then with key framing. Preparation for Multimedia Development Modeling a Project with a final output after using that software , TV Product add, News channel Logo Animation, Post production effects, Animated series , Montaz, Structural Modeling and animation. Book Ref: - New Riders - Inside 3ds max 7. Model rig, Animate with 3d \'s max 6 ­ Michele bousquet / Many world production  VIII  IX  X  XI  XII  XIII  Page 22 of 50    Total assessment = 100 External = 75 Internal = 25 B.Sc (MM) 404 - Project Fourth Semester Furniture modeling or design a motorbike or a car.  Total assessment = 100 External = 75 Internal = 25 B.Sc (MM) 405 - Practical Fourth Semester Practical on all the subjects of 4th semester.  Page 23 of 50    Total assessment = 100 External = 75 Internal = 25 B.Sc (MM) 501 - Video introduction & Advanced Fifth Semester I. Creating Digital video Adding all raw shorted shorts and clips all together, and add few finishing touch, even a small technique make an good effect, using some nice software for video editing, making fade in ­ outs, mixing the sound to video file , using diff angles of shorts for different emotions , happy or sorrow, trimming the video clips as per the audio or story, giving some seconds of blank space at the end of the video, make in concentration that text should not cover the video, lights, Illuminator, silver/ gold reflector, shotgun microphone, wireless microphone. Always use 5 second pre roll and post roll of blank space. Camera types & movements Sony PD 150 Cameras, miller Fluid-Head Tripods, DV Stead cam, handy cams, web cams, Beta cams, setting the temp grid on the floor, perspective view of cameras, panning the camera movements, zoom in the camera, dolly camera, and camera using the crane shots, camera shocking for making earthquake effect. Attaching camera on the tripod for the removal of shaking in the clips, giving the proper lightning effect, setting the lights and proper reflection, correct exposer, Framing, Focus, Hand held shorts, Slow berating wile video shooting, shoulder pan, hip pan, Lenses types Wide angle lens, Fish eye lens, colored lens, blur lens, sharpness lens. Storytelling through visual means Making the story board, just using the actions, emotions and happy moment \'s scene to making the story, can make a comedy video, short film etc to practice on it; can take the reference from some short film, comedy shows. The users of digital video Different uses of digital videos, making add films, documentaries, even feature film.  II.  III. IV.  V.  Book Ref: Digital Multimedia by (Wiley Dreamtech).  Page 24 of 50    B.Sc (MM) 502 - Digital Editing Fifth Semester I.  Total assessment = 100 External = 75 Internal = 25  II. III.  The fundamentals of editing Basics of editing, Pal Video for windows, Pal quick time multimedia QuickTime, Using Project Window, Video Settings, Audio Settings, Compressor, Depth, Frame Size, Frame Rate, Importing still images, Using the monitor window, Viewing safe zones, use of editing and full knowledge about video editing. The fundamentals of transition effects Creating Transitions, Transition Settings, Image Mask Transition, Applying Transitions, viewing transitions. Finishing & the future Making movie, finalizing sound and effects, rendering, making video CD.  Book Ref: - Adobe Premier Pro Class Room in a book By (Adobe Publishers) Total assessment = 100 External = 75 Internal = 25  B.Sc (MM) 503 - Sound Editing Fifth Semester  I.  II. III.  IV.  V.  Introduction to sound Sound, Digital sound files, different sound formats, midi & digital audio, creating digital audio files, sound producing, sound extracting, Advantages and disadvantages of midi &digital, choosing between midi and digital audio. Linking files Sound for the World Wide Web, adding the sound to your multimedia project, production tips, audio recording, keeping track of your sound, testing and evaluation. Record clips & editing Sound recording, editing digital recording, trimming, splicing and assembly, volume adjustments, format conversion, resampling or downloading, fade-ins and fade ­outs, equalization, time stretching, digital signal processing, reverting sound, making midi audio, audio file formats. Special effects Adding effect automation enveloping, adding a volume envelop, adding a panning envelop, previewing effect automation, applying effect automation, adjusting envelope, adding envelop points, flipping a envelop points, setting fade properties, cutting, copying, pasting, envelope points, adding mirror and wave hammer, pan to left , pan to right, dry out , wet out , convert mono to stereo, looping . Finalize files Burning the audio Cd, mp3, making the remix sound track with using all the special FX from the software. Exporting the files in diff formats, save in wav, mp3 etc,  Book Ref: Sound Forge Power by (Firewall media).  Page 25 of 50    Total assessment = 100 External = 75 Internal = 25 B.Sc (MM) 504 - Project Fifth Semester Create a film or TV serial casting. Total assessment = 100 External = 75 Internal = 25  B.Sc (MM) 505 - Practical Fifth Semester Practical on all the subjects of 5th semester.  Page 26 of 50    Total assessment = 100 External = 75 Internal = 25 B.Sc (MM) 601- Script Writing and Story Board Designing Sixth Semester  I.  II.  III.  IV.  V.  VI.  Introduction to Scriptwriting, screenplay and teleplay Scripts are elements Basics of Scriptwriting, Use of scriptwriting, Action, Scene Headings, Character Name, Screenplay Page Breaking, Short Lines/Poetry/Lyrics, Titles or Opening Credits, Screenplay Title Page, Continued and Revisions, Header Text + Do \'s & Don \'ts, Screenplay Related Formats and full knowledge abut teleplay script scriptwriting for both short film Dialogue, Parenthetical, Extension, Shot Transition, Dual-Column Dialogue, Act numbers, Scene Numbers, Cast List, short lines, dialogue paragraphs, Script Styles & Types, Script Length Scene Heading Action Description , Character Name, Dialogue, Parenthetical, Extension, Transition, Shots scriptwriting for feature film Dialogue split by Action, Emphasis in Action, Abbreviations, Short Lines, Dialogue Paragraphs, Montage & Series of Shots, Supers - Titles, Signs, etc, Phone Calls and Intercuts Two people talking at the same time As student develops there own script Attention will be paid to principles of script analysis, narrative strategy, genre and structure. By the end of the semester, students are expected to have developed a script treatment and flashed out the first act in script form. Introduction to storyboard Introduction, Multimedia Storyboarding Tools, The Advantages of Storyboarding, Interactive Storyboarding, Using Interactive Storyboarding to Speed-up the Content-writing Phase, Using Interactive Storyboarding to Speed-up Report Document Production Steps of storyboard writing Storyboard table, Topic, Timeline, Sketches, color scheme, text attributes, Audio, camera angle, Interaction of buttons and text.  Page 27 of 50    Total assessment = 100 External = 75 Internal = 25 B.Sc (MM) 602 - Realistic Concept of Animation & Special Effects Sixth Semester I. II. III. IV. V. Comparison between Animated & Realistically Animated Films Watch the different animated flicks and make a comparison report on them. Timing & State Watch the different animated flicks and make a comparison report on them. Movements in Animation Understanding key frames, key frame animation, fine tuning the animation, Manual animation, path follow animation, frame rate of animation. Frames Frame rate, resolution, size, video standards used worldwide, and fps. Special Effect : Environmental Effects and Morphing Keying, color correction, depth of field, particles, fire, fog, cg camera, Cg lights, motion blur masking, text making and formatting, mattes.  Books Reff: - Adobe After Effects 6 classroom in a book (Adobe Publishers).  Page 28 of 50    B.Sc (MM) 603 - Director Sixth Semester  Total assessment = 100 External = 75 Internal = 25  I.  Introduction to Director Getting Started, The Interface, The Stage and Score, More of the Score Window, The Property Inspector, Casts and the Cast Window, Improved MX 2004 Workflow, Planning Your Projects, Movie Properties, Display Templates, Appearance Options, Sprites and Channels, The Tools, Previewing a Movie.  II. Animation & Interactivity Sprites/Channels/Animation, Sprites, Selecting Sprites, Overlaying Sprites, Aligning Sprites, Transforming Sprites, Sprite Properties, Tweening, Sprite Inks, Transparency Images, Tempo, Transitions. III. Planning & Implementation Laying Out Your Project, Markers, Grids and Guides, The Library Palette, Find and Replace, The Message Window, Organizing and Saving Workspaces, Cast Members, Importing Cast Members, Cast Properties, Working with Color, Image and Media Casts, Organizing Casts. IV. Learning Lingo and Using Variables Programming Concepts, Lingo and JavaScript, JavaScript in Director, Variables and Scope, Naming Variables, Expressions and Statements, Control Structures, Events. V. Web Integration and Reusable Behavior Scripting, Types of Scripts and Behaviors, Working with Behaviors, Tool Window, Flash Properties, Controlling Flash and Buttons, Changes to the Flash Asset Extra, Flash MX 2004 Components, Flash Navigation, Cross-Platform and Versions. VI. Publishing in Shockwave Publishing and Preferences, Update Movie Options, Protected Movies, Projector and File Options, Shockwave Movies, Exporting Bitmaps and Movies.  Book Ref: Director MX Bible By (Wiley).  Page 29 of 50    Total assessment = 100 External = 75 Internal = 25 B.Sc (MM) 604 - Project Sixth Semester Make a short animated film.  B.Sc (MM) 605 - Practical Sixth Semester Practical on all the subjects of 6th semester.  Total assessment = 100 External = 75 Internal = 25  Page 30 of 50    Total assessment = 100 External = 75 Internal = 25  M.Sc (MM) 101 ­ Script writing &Story board designing  First Semester I. Introduction to Scriptwriting, screenplay and teleplay Scripts are elements Basics of Scriptwriting, Use of scriptwriting, Action, Scene Headings, Character Name, Screenplay Page Breaking, Short Lines/Poetry/Lyrics, Titles or Opening Credits, Screenplay Title Page, Continued and Revisions, Header Text + Do \'s & Don \'ts, Screenplay Related Formats and full knowledge abut teleplay script II. scriptwriting for both short film Dialogue, Parenthetical, Extension, Shot Transition, Dual-Column Dialogue, Act numbers, Scene Numbers, Cast List, short lines, dialogue paragraphs, Script Styles & Types, Script Length Scene Heading Action Description , Character Name, Dialogue, Parenthetical, Extension, Transition, Shots III. scriptwriting for feature film Dialogue split by Action, Emphasis in Action, Abbreviations, Short Lines, Dialogue Paragraphs, Montage & Series of Shots, Supers - Titles, Signs, etc, Phone Calls and Intercuts Two people talking at the same time IV. As student develops there own script Attention will be paid to principles of script analysis, narrative strategy, genre and structure. By the end of the semester, students are expected to have developed a script treatment and flashed out the first act in script form. V. Introduction to storyboard Introduction, Multimedia Storyboarding Tools, The Advantages of Storyboarding, Interactive Storyboarding, Using Interactive Storyboarding to Speed-up the Content-writing Phase, Using Interactive Storyboarding to Speed-up Report Document Production VI. Steps of storyboard writing Storyboard table, Topic, Timeline, Sketches, color scheme, text attributes, Audio, camera angle, Interaction of buttons and text.  Page 31 of 50    Total assessment = 100 External = 75 Internal = 25 M.Sc (MM) 102 ­ Desk Top Publishing First Semester  I.  Computer Basics Introduction: Introduction to computers, parts of computer system, hardware, software, difference between hardware and software, user, data, processor, memory, input devices, output devices. Application of Computers in various fields: Defense, Industry, Management, Sports, Commerce, Internet. Generations of Computers: 1st, 2nd, 3rd, 4th, 5th generation. Basic computer organization: C.P.U, A.L.U, Input and Output Input Devices: Keyboard, Mouse, OMR, OCR, Microphones, Bar Code Reader, Scanner, Light pen, Cameras etc.Output Devices: Monitors (CRT, FST, LCD), Impact and non impact printers (Dot matrix, Inkjet, LaserJet), Plotters. Storage Devices: Hard Disk, Floppy disk, Pen Drive, CD \'s, DVD \'s.  II.  Operating System Introduction: Introduction to Operating System, its need and Operating System services; Operating System classification - single user, multi-user, simple batch processing, Multiprogramming, Multitasking, Parallel system, Distributed system, Real time system. Process Management: Process Concept, Process scheduling, Overview of Inter-Process communication, CPU Scheduling: Basic concepts, Scheduling Criteria, Scheduling Algorithms. Memory Management: Logical Versus Physical addresses space, Swapping Partition, paging and segmentation, concepts of Virtual Memory. File Management: File concept, access methods, Directory Structure, file protection. Allocation methods: Contiguous, linked and index allocation. Deadlocks: Deadlock Characteristics, Prevention, Avoidance, Detection and Recovery, critical section, synchronization hardware, semaphores, combined approach to deadlock handling. Security: Authentication, Program Threats, System Threats, and Encryption. Basic Designing Software Windows Paint, Basics Concept making and Implement on Computer, Colour knowledge, Generating Ideas, Basics About Various Software \'s in Industry for still image manipulating, knowledge about pixels, measuring units in diff image manipulating software \'s. Vector Graphics ( Designing, Color Theory , Vector Designing & Editing, Text Formatting ) Interface: working with menus, toolbars, Dockers Document Setup: Setting Page Size& Orientation, Document Navigation  III.  IV.  Page 32 of 50    Rulers & Guidelines: Status Bar Text: Formatting, Text Layout, Skewing and rotating, Creating drop shadow, Text to  Path, Extruding text Objects: Grouping & locking objects, Combining & breaking apart, Transforming & Shaping, Cutting objects apart, Trim, weld & Intersection of objects Lines & Curves: Using freehand & Bezier tool, Line properties, Arrowheads Eraser & artist media tools  Patterns, Texture Fills, Interactive Mesh Fill Special effects: Envelopes, Blends, Perspective, Shadow Objects, Power clip Command, Transparency, Distortion, Contour, Lens Docker Complex Shapes: Polygon & Stars, Spirals  Nodes & Paths Color & Fills: Solid Color, Color Palettes, Eyedropper & Paint bucket, Fountain, Fills,  Printing Menu. V. Raster Graphics ( Designing , Color Theory , Raster Designing & Editing, text Formatting Getting to Know the Work Area, Starting to work in Adobe Photoshop, Colour modes, Colour, Using the tools, Selecting and using a tool from the toolbox. Using the tool options bar and other palettes, Customizing the workspace, Using Photoshop Help, Using Adobe Bridge, Viewing and editing files in Adobe Bridge, Embedding information for easy identification, Automating routine tasks. Resolution and image size, Straightening and cropping an image, Making automatic adjustments, Manually adjusting the tonal range, Replacing colors in an image, Adjusting lightness with the Dodge tool, Adjusting saturation with the Sponge tool. Retouching and Repairing, Repairing areas with the Clone Stamp tool, Using the Spot Healing Brush tool, Using the Healing Brush and Patch tools, Retouching on a separate layer. Working with Selections, About selecting and selection tools, Selecting with the Magic Wand tool, Using the Magic Wand with other selection tools, Working with oval and circular selections, Selecting with the lasso tools, Rotating a selection, Selecting with the Magnetic Lasso tool. Cropping an image and erasing within a selection, Layer Basics, Using the Layers palette, Rearranging layers, Applying a layer style, Flattening and saving files, Masks and Channels, Creating a quick mask, Editing a quick mask, Saving a selection as a mask, Editing a mask, Loading a mask as a selection and applying an adjustment. Applying effects using a gradient mask, Correcting and Enhancing Digital Photographs, about camera raw, processing camera raw files, correcting digital photographs. Editing images with a vanishing-point perspective, correcting image distortion, creating a PDF portfolio, Typographic Design. Advanced Layer Techniques, Advanced Compositing, and Creating Links within an Image, Creating Rollover Web Visuals, and Animating GIF Images for the Web, Producing and Printing Consistent Color, Using the Filters. Page Making  VI.  Page 33 of 50    Document Setup Option  Page Type, Page Style, Page Numbering, Page Measurement  Standard Tool Bar Options  Create New Document with Setting, Open & Store Options, Preferences Import & Export Objects options, Scanning, Document Setup, Columns Guide Setting, etc.  Formatting Tool Bar Option Text Setting Options  Copy Paste Options, Cross Pasting, Multiple Pasting, Insert Objects, Import Images & Text from other Objects etc. Fonts Setting, Control Palette, Paragraph Setting, Text Warping, Master Files, Text Rotating options Alignment Setting, Text Colors. Import Objects, Polygon Setting, Draw & Filling Objects, Alignment Setting of the Images etc.  Rulers & Guide Lines, Print Out Bar  Books Reference:· · · · · · Adobe PageMaker 7.0 classroom in a Book. By (Adobe Publisher). Adobe Photoshop 7.0 classroom in a Book. By (Adobe Publisher). Ramesh Bangia- Learning Multimedia Khanna book pub. Corel draw 12 ­ The Official guide By ­ Corel Press. Ramesh Bangia- Computer Basics Khanna book pub Computer Fundamentals Author (PK Sinha) by (BPB Publisher)  Page 34 of 50    M.Sc (MM) 103 ­ Advance Digital Art Photography  First Semester  Total assessment = 100 External = 75 Internal = 25  I.  II. III.  The Exploration Stage The past and future of Photography (Digital Photography), Types of Cameras, Choosing Cameras, Start Taking Photos, Using buttons and menus. Selection and Treatment Selecting image size and quality, Image management, Photo editing tools Color management. Execution , Installation & Presentation Choosing Exposure modes, how your exposure system works and affects your image. Installation of different types of Image Editing Software, Slide show programs and background music, E-mail and websites, displaying images Wallpapers Digital Photography (Part ­ 2)  I. Beyond the Basics. Camera Controls and Creativity About Digital Photographs Automatic All the Way Working of Digital Camera and comparison Selecting Images Size and Quality (Photoshop) Definition of shutter speed in detail, delineation of aperture Using Shutter Speed in detail, definition of aperture Selecting Exposure Modes Types of Lenses II. Photographing people Photography aesthetics of people (Male, females, couples, groups & child Photography) In studio and out door and available light III. Product Photography Using Selective Focus Exposure affects you Images Controlling Brightness and Contrast Close up Photography. IV. Interior and Exteriors Architectural photography Industrial shooting (Internal & external)  Page 35 of 50    And use of various wide angle lenses. Landscape photography, science shorts. V. Action and Sports Photography To capture the action, in different ways, to know the game first, Selecting the equipments according to the game. (Use of various zoom and tele lenses and tripods) VI. The Photo Shoot from Start to Finish Photography on the given theme to selecting subject To select the equipment the location and finally shooting  Book Ref:  Tom Ang: Digital Photography an Introduction Publisher \'s Name: Dorling Kindersley Ltd.  Page 36 of 50    Total assessment = 100 External = 75 Internal = 25  M.Sc (MM) 104 ­ Project  First Semester Create a Story Board using your Desk Top Publishing Skills. Total assessment = 100 External = 75 Internal = 25  M.Sc (MM) 105 ­ Practical  First Semester Practical on all subjects of 1st semester.  Page 37 of 50    Total assessment = 100 External = 75 Internal = 25  M.Sc (MM) 201 ­ 2D Animation  Second Semester  Intro to flash About 2d animation, Properties Bar, Size and Publish Symbols and Layers Library, Insert layer, Motion Guide Frame and Animation Frame rate Making animation Bells and Whistles Scripting Making a Splash Making interactive buttons Interactive Adventure Compiling objects Bringing movement to the web Creating and uploading to web Beyond the Frames Understanding frames size, Frame rate, Symbol Frame of Mind Optimized flash player, about framing  Books Ref:Flash MX BIBLE (By BPB Publisher)  Page 38 of 50    Total assessment = 100 External = 75 Internal = 25 M.Sc (MM)202 ­ 3D Introduction & Advanced (Modeling & Animation) Second Semester I. Getting in Control of 3D Space. Menu commands, File Menu, Edit Menu, Tools menu, Group Menu, view Main Toolbar, Working with View ports and files: Controlling the View ports: Zooming a view, panning a view, rotating a View, Maximizing the active View ports, max Scene files. Saving files, opening files, merging and replacing objects. Importing and exporting files. Solid Modeling and the tools of the Trade. Create menu, Modifiers Menu, Command Panel: Create, Modify, Hierarchy, motion, display, Utilities. Color, Texture and surface styles. The Material Editor, colors and patterns in materials, multiple materials on single objects, lofting the materials, bump mapping, luminance values, maps, mapping coordinates, materials, multi/sub-object materials, procedural maps. Material Editor: sample window, sample sphere, material type, material name, get material, assign material to selection, materials and mapping, importing maps & textures from Photoshop. Tips and tricks for good lighting. Standard sunlight system, faking bounced light, daylight system, angle of incidence, attenuation, exposure control, photometric lights, radiosity, standard lights with scan line rendering, photometric lights with radiosity render, skylight with light tracer rendering, sunlight system, day light system, Skylight. Target spot, free spot, target direct, and free direct, omni. Day light with exterior scenes. Virtual camera movement. Camera types, Creating and adjusting cameras, Camera composition, Camera movement, Focal length, Field of view, Cut edit, Fade or dissolve edit, Camera Basics, Target cameras, Free cameras, Adjusting the Field of View, Dolling and zooming, Crabbing and panning, Basic scene editing, Take the time to watch film and television with a more critical eye toward the techniques employed by directors to involve you, the viewer, in the world created by the camera. For still images, you can refer to books and magazines on architecture or product design to develop a feel for how the focal length and the composition of cameras can affect your perception of the scene. Dummy properties Dummy objects, animating the Rotation of the Dummy Object, Fundamental key frame animation, Repeating animation over time, Hierarchical linking.  II  III  IV  V  VI  Page 39 of 50    VII  Animation, multimedia & virtual reality Fundamental key frame animation, repeating animation over time, Hierarchical linking, Key frame, Parameters Out-of-Range, Setting Animation Keys, Animating the Rotation of the Dummy Object, Creating a Continuously Looping Animation. Using advanced techniques. Assigning Constraints on the Motion Panel, Applying an Ease Curve to Control Animation, Multiplier curves, Link constraint, Inverse kinematics, Solver, Applying Multiplier Curves, and Switching Hierarchical Parents. Advanced Modeling Editable poly, Symmetry modifier, Lathe modifier, Merge, Quad polygon, Settings dialog, NURMS, Editing Using Multiple View ports, Adding Detail to the Model, Tessellate, Deformation, XRef, Using Modifiers to Add Detail to 3D Objects, Merging Files While Retaining a Connection. Advanced lighting effect Placing and adjusting photometric lights, Using exposure control, Adjusting meshing parameters, Controlling color bleed and reflectance, Making materials act as lights, Attenuation, Direct illumination, Indirect illumination, Refine Iterations, Filtering, Reflectance, Placement and Adjustment, Applying Exposure Control, Setting Radiosity Meshing at the Local Level, Controlling Radiosity Using Materials. Applying Advanced Lighting Override Material. Advanced Animation The Fundamentals of Hierarchical Linking, Animation controllers, Track View Dope Sheet, Ease curves, Controllers, Constraints, Graph editors, Ease curves. Introduction to Character Animation Modeling in Sub-Ds, Quad polygon, Settings dialog, NURMS, Understanding the Basics, Getting Started with the Tools. Making a character by using low poly. Modeling Low Polygon Character A Pig in a Box, Collapsing the box to an Editable Poly object, Selecting the polygons to be deleted, Selecting edges for connection, Connecting edges to create a new loop, Two more rows of edges, Selecting and extruding the feet, Flattening the feet with Make Planar, Two newly created edge loops, Extruding the neck, Reshaping the neck, Shaping the snout, Model with Mesh Smooth applied, Sharpening the snout, Creating the ears, Shaping the ears with new edges, Eyes and nostrils are created by extruding selected polygons, Helix for the tail, Picking the helix for spline extrusion, Altering the tail \'s shape, Mesh Smoothed pig from the side, Using Auto Grid to create an eye, Mirroring the eye using the pig \'s coordinate center, Completed pig. NURBS Character Animation Making a dog model by using a nurbs tool. Skin and Flex Modeling  VIII  IX  X  XI XII  XIII  XIV XV  Page 40 of 50    Using the modifiers skin and flex. Surface Modeling Using surface modifier making a model, and Appling the surface modifier on it. XVII Lip Synchronization Using lip Synchronization tools and implementing on the face and lips. XVIII Plug INS Exploring the 3d \'s max with the new plug-in. XIX Special Effects Elements of a Particle System, Several types of particle emitters, from left to right: Blizzard, Super Spray, PCloud, and PF Source, Particle Effects, Flight Path, Fire, Smoke, Final Touches. XX Animation Film Use of max in animated films, promos, and the effects that influence the film industry, making a scene using max with a video file practically. XVI  Books Reff: · New Riders 3ds max 7 Fundamentals. · New Riders Inside 3ds max 7. · 3Ds Max 7 Fundamental (Tech media). · Modeling a character in 3d \'s Max - Paul Steed  Page 41 of 50    M.Sc (MM) 203 ­ AUDIO & VIDEO  Second semester I.  Total assessment = 100 External = 75 Internal = 25  Creating Digital video Adding all raw shorted shorts and clips all together, and add few finishing touch, even a small technique make an good effect, using some nice software for video editing, making fade in ­outs, mixing the sound to video file , using diff angles of shorts for different emotions , happy or sorrow, trimming the video clips as per the audio or story, giving some seconds of blank space at the end of the video, make in concentration that text should not cover the video, lights, Illuminator, silver/ gold reflector, shotgun microphone, wireless microphone. Always use 5 second pre roll and post roll of blank space. Camera types & movements Sony PD 150 Cameras, miller Fluid-Head Tripods, DV Stead cam, handy cams, web cams, Beta cams, setting the temp grid on the floor, perspective view of cameras, panning the camera movements, zoom in the camera, dolly camera, and camera using the crane shots, camera shocking for making earthquake effect. Attaching camera on the tripod for the removal of shaking in the clips, giving the proper lightning effect, setting the lights and proper reflection, correct exposer, Framing, Focus, Hand held shorts, Slow berating wile video shooting, shoulder pan, hip pan, Lenses types Wide angle lens, Fish eye lens, colored lens, blur lens, sharpness lens. Storytelling through visual means Making the story board, just using the actions, emotions and happy moment \'s scene to making the story, can make a comedy video, short film etc to practice on it; can take the reference from some short film, comedy shows.  II.  III. IV.  VCD & Books Reff: · Digital Multimedia by (Wiley Dreamtech). · VTC online cd for five steps of video production. · Ramesh Bangia- Learning Multimedia By Khanna book pub.  Page 42 of 50    M.Sc (MM) 204 ­ Project  Second semester  Total assessment = 100 External = 75 Internal = 25  3d Logo Animation, Architectural Walkthrough and Special effect Shot Length Movie. Reference: (Must Watch Films) 1. Harry potter. 2. Spiderman. 3. Gladiator. Total assessment = 100 External = 75 Internal = 25  M.Sc (MM) 205 ­ Practical  Second semester Practical on all subjects of 2nd semester.  Page 43 of 50    M.Sc (MM) 301 ­ Digital Editing  Third semester I.  Total assessment = 100 External = 75 Internal = 25  Project Window, Video Settings, Audio Settings, Compressor, Depth, Frame Size, Frame Rate, Importing still images, Using the monitor window, Viewing safe zones, use of editing and full knowledge about video editing.  The fundamentals of editing Basics of editing, Pal Video for windows, Pal quick time multimedia QuickTime, Using  II. III.  The fundamentals of transition effects Creating Transitions, Transition Settings, Image Mask Transition, Applying Transitions,  viewing transitions.  Finishing & the future Making movie, finalizing sound and effects, rendering, making video CD.  Ref. Books:Adobe Premier pro (Class room in a book) By: Adobe publisher  Page 44 of 50    M.Sc (MM) 302 ­ Sound Editing  Third semester I.  Total assessment = 100 External = 75 Internal = 25  II.  III.  IV.  V.  Introduction to sound Sound, Digital sound files, different sound formats, midi & digital audio, creating digital audio files, sound producing, sound extracting, Advantages and disadvantages of midi &digital, choosing between midi and digital audio. Linking files Sound for the World Wide Web, adding the sound to your multimedia project, production tips, audio recording, keeping track of your sound, testing and evaluation. Record clips & editing Sound recording, editing digital recording, trimming, splicing and assembly, volume adjustments, format conversion, resampling or downloading, fade-ins and fade ­outs, equalization, time stretching, digital signal processing, reverting sound, making midi audio, audio file formats. Special effects Adding effect automation enveloping, adding a volume envelop, adding a panning envelop, previewing effect automation, applying effect automation, adjusting envelope, adding envelop points, flipping a envelop points, setting fade properties, cutting, copying, pasting, envelope points, adding mirror and wave hammer, pan to left , pan to right, dry out , wet out , convert mono to stereo, looping . Finalize files Burning the audio Cd, mp3, making the remix sound track with using all the special FX from the software. Exporting the files in diff formats, save in wav, mp3 etc,  Books reference: - Sound Forge Power by (Firewall media).  Page 45 of 50    Total assessment = 100 External = 75 Internal = 25 M.Sc (MM) 303 ­ MAYA (Professional Animation) Third semester 1. The MAYA user Interface Menus, working area, toolbar, time line, bars 2. Working in 3D space Views, handling working areas, full Use of mouse & keyboard with views 3. Polygonal Modeling About polygon, create and reshape polygon, Combining, separating, and splitting, Editing polygons, The Sculpt Geometry Tool, Coloring polygons, Texturing polygons 4. Key frames and Motion Paths Frames, motion keys, Path, motion paths, Motion path markers 5. Non-Liner Animation Full knowledge about non-liner animation 6. Forward and Inverse Kinematics Creating and animating FK & IK 7. Surface Deformations Deformable geometry 9. Cameras and Lights Applying Ambient light, directional light, point light, spot light area light, volume light, and camera and changing attributes. 10. Shedders and Texture Anisotropic, blinn, Lambert, phong, phong e, layered, ramp, shading, surface 11. Rendering Techniques Render the scene using retracing, Render the scene using Global Illumination, Render a single frame, mental ray. 12. Particles and Dynamics Emitter, air, drag, gravity, Newton, radial, turbulence, uniform, vortex, volume axis, rigid body, source of field. 13. Modeling Edit curves, surface modeling, nurbs modeling, and subdiv surfaces. 14. Animation Animation, deform, Skelton, skin, constrain, characters. 15. Brush based Techniques Working with brush, understanding brush, use and applying paint effects by using brushes, animating brush stocks, changing attributes. 16. Visual Effects Rendering Fire effect, smoke effect, fireworks effect, lightning effects, shatter effects, shards to fields, curve flow, surface flow, surface flow procedure, Render the scene using caustics, Render parts of a scene separately, render multiple scenes, Batch renders from within Maya (UI) 17. Fluid Effects 3D container, 2d container, Pint fluid tool, emitters, collide, resolution, cashed 18. MAYA Cloth  Page 46 of 50    Panel, garment, seam, collision, cloth object, constraint, paint cloth properties, cache, simulation 19. MAYA Fur Creating fur, applying fur, animating fur, changing attributes. Books reference: Learning Maya 7 (foundation), (Unlimited)& (character rigging and animation) ­ Alias. Maya 6 Complete Reference ­ Tata McGraw hill. Total assessment = 100 External = 75 Internal = 25  M.Sc (MM) 304 ­ Project  Third semester Any 3D Model and 3D animated short length movie.  M.Sc (MM) 305 ­ Practical  Third semester  Total assessment = 100 External = 75 Internal = 25  Practical on all subjects of 3rd semester.  Reference: (Must watch movies)  1. 2. 3. Matrix Monster Inc. Casper  Page 47 of 50    Total assessment = 100 External = 75 Internal = 25  M.Sc (MM) 401 ­ Cartoon Animation  Fourth semester  I. II. III. IV.  Character Developer. Visualization of Different Views. How to draw expressions. How to achieve Lip synchronization. Total assessment = 100 External = 75 Internal = 25  M.Sc (MM) 402 ­ Digital Animation & Special Effects  Fourth semester  I. II. III.  Introduction to special Effects Knowledge about effects, making effects, applying effects Types of special effects Particle system, masking, keying, color range, text effects, CG effects Synchronization with editing Tips and tricks for editing, advance knowledge about editing, compositing, Final rendering (output)  Book Ref: Combustion 4 (By: - Discreet)  Page 48 of 50    Total assessment = 100 External = 75 Internal = 25  M.Sc (MM) 403 ­ Interactive Media.  Fourth semester  Introducing the Director workspace The Stage, The Score, The Cast window, The Property inspector, Setting Stage and movie properties, Increasing or decreasing your view of the Stage, About Sprites, About Frames, Managing the workspace in Director MX, Window types, Managing panels and panel groups, Cast Members and Cast Windows, Animation, About tweening in Director, Tweening the path of a sprite, Accelerating and decelerating sprites, Tweening other sprite properties, Changing tweening settings, Editing sprite frames, Frame-by-frame animation, Using film loops, Setting film loop properties, Step-recording animation, About importing bitmaps, Using animated GIFs, Using the Paint window, Changing selected areas of a bitmap, Flipping, rotating, and applying effects to bitmaps, Using Auto Distort, Changing size, color depth, and color palette for bitmaps, Controlling bitmap images with Lingo, Using gradients, Using patterns, Creating a custom tile, Using Paint window inks, Using bitmap filters, Using onion skinning, Drawing vector shapes, Controlling color, Embedding fonts in movies, Using Flash Movies, Sound and Synchronization, Using Video, Navigation and User Interaction, Writing Scripts with Lingo, Scripting basics, Performing common tasks, 3D Basics, The 3D Cast Member, 3D Text, and 3D Behaviors, Working with Models and Model Resources, Controlling the 3D World, Movies in a Window, Making Director Movies Accessible, How Director unloads items from memory, Loading and unloading individual cast members, Managing and Testing Director Projects, Packaging Movies for Distribution, Using Shockwave Player, About streaming movies, About network operations, Setting movie playback options, Setting Shockwave playback options, About creating multi-user applications, About streaming with the Score and behaviors, Looping behaviors, Jumping behaviors, Checking whether media elements are loaded with Lingo, Checking whether a cast member or sprite is loaded.  Books Ref:Using Director MX Publisher: Macromedia  Page 49 of 50    M.Sc (MM) 404 ­ Project  Fourth semester  Total assessment = 100 External = 75 Internal = 25  I. II. III.  Complete Animation film Product Advertisement Complete Multimedia CD  Reference: (Must watch movies)  1. Shrek 2. The incredible 3. Ice age Total assessment = 100 External = 75 Internal = 25  M.Sc (MM) 405 ­ Practical  Fourth semester  Practical on all subjects of 4th semester  Reference: (Must watch movies)  4. Shrek 5. The incredible 6. Ice age  Page 50 of 50    Media Technology Courses Syllabus Manual Punjab Technical University Distance Education Programme    ",486);arrFiles[34]=new Array(35,"home.html","15 Oct 2009","Pran  \\'s Media","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact Do you know, CHACHA CHAUDHARY \'S brain works faster than computer? The man who created that block-buster series is none other than PRAN, who is considered as the father of Indian comics , because he was the one who in 1960, created first indigenonus cartoon strips having Indian characters and based on local themes. Before that all comics were imported from foreign countries. Maurice Horn, the editor of World Encyclopedia of comics, has described him in his book, as Walt Disney of India.(page 42. 1999 edition) More than 2 million readers all over the country regularly enjoy the exploits of his famous characters - CHACHA CHAUDAHRY, SABU, SHRIMATIJI, PINKI, BILLOO, RAMAN and CHANNIE CHACHI etc; which are published in 10 different languages all over India. Entertaining generation after generation, PRAN \'S comics have been constant companion of every youngster \'s growing up. His all character are drawn from middle class society. He has so far published more than 500 titles and a number of newspapers regularly carry his features His comics CHACHA CHAUDHARY has been adapted for a TV Serial which was telecast up to 600 episodes on India \'s premier channel, Sahara ONE . That is countries first serial based on Indian comics. Traveled widely over the globe including countries like America, England, France, Germany, Australia, Spain, China, S.Korea etc he delivered speeches to the gatherings of cartoonists on the subject wherever he went. Humor is the base of all his stories. If I could put a smile on the face of people, I would consider my life successful, he says. Apart from that his comics always has a social massage to convey. QUALIFICATIONS : M.A. (Political Science) 4 years course in Fine Arts, Sir J.J. School of Arts, Mumbai. ",4);arrFiles[35]=new Array(36,"files/MCAJ.pdf","15 Oct 2009","Microsoft Word - Title.doc","","","PUNJAB TECHNICAL UNIVERSITY Jalandhar  DISTANCE EDUCATION PROGRAMME http://www.ptu.ac.in  Syllabus  Manual  Mass Communication , Advertisement & Journalism Courses  Applicable to September 2005 Admission Batch  © Copyright, Punjab Technical University    Contents Scheme B.Sc. (Mass Communication Advertisement & Journalism) - BSCMCAJ M.Sc (Mass Communication Advertisement & Journalism) - MSCMCAJ Diploma in Mass Communication Advertisement & Journalism (DMCAJ) Post Graduate Diploma in Mass Communication Advertisement & Journalism (PGDMCAJ) Syllabus Page No.  B.Sc. (Mass Communication, Advertisement & Journalism) 07-34 M.Sc.( Mass Communication, Advertisement & Journalism) 35-45    PUNJAB TECHNICAL UNIVERSITY Jalandhar  DISTANCE EDUCATION PROGRAMME http://www.ptu.ac.in  Mass Communication Advertisement & Journalism Courses  Scheme  Applicable to September 2005 Admission Batch  © Copyright, Punjab Technical University    Scheme of Papers B.Sc.(Mass Communication, Advertisement & Journalism) (BSCMCAJ) Applicable to September 2005 Admissions onward Contact Hours (PerSemester) Practical Hrs Theory Hrs Total Hrs  Semester  One  Theory Exam Marks Practical Exam Marks  Duration Remarks of Exams  External  External 0 75  Internal  Internal  Total  Sr 1 2 3 4 6 7  PaperCode BSCMCAJ-101 BSCMCAJ-102 BSCMCAJ-103 BSCMCAJ-104 BSCMCAJ-105 BSCMCAJ-106  PaperName Principles of Communication ­ I Global Comparative Media Information Technology History & Industry of Mass Communication Communication & Soft Skills Practical  40 40 40 40 20 180  10 10 10 10 20 60  50 50 50 50 40 240  25 25 25 25 -  75 75 75 75 -  100 100 100 100 400  50 25  50 100 150  Total 3 3 3 3 Hrs Hrs Hrs Hrs Internal Practical 550 Total 3 Hrs Duration Remarks of Exams 100 100 Total 3 Hrs 3 Hrs 3 Hrs 3 Hrs 3 Hrs 3 Hrs  Semester  Two  Contact Hours (PerSemester) Practical Hrs Theory Hrs Total Hrs  Theory Exam Marks Practical Exam Marks  External  Sr 1 2 3 4 5 6  PaperCode BSCMCAJ-201 BSCMCAJ-202 BSCMCAJ-203 BSCMCAJ-204 BSCMCAJ-205 BSCMCAJ-206  PaperName Mass Communication Concepts and Processes Print Media & Photo Journalism Reporting & Editing - I Communication Skills Computer Application for Journalism Practical  40 40 40 40 40 200  0 10 10 10 10 40  40 50 50 50 50 240  25 25 25 25 25 -  75 75 75 75 75 -  100 100 100 100 100 400  25  75  External  Internal  Internal  Total  Practical 500 Total  Semester  Three  Contact Hours (PerSemester) Practical Hrs Theory Hrs Total Hrs  Theory Exam Marks Practical Exam Marks  Duration Remarks of Exams  External  External 75  Internal  Internal  Total  Sr 1 2 3 4 5 6  PaperCode BSCMCAJ-301 BSCMCAJ-302 BSCMCAJ-303 BSCMCAJ-304 BSCMCAJ-305 BSCMCAJ-306  PaperName Reporting Techniques & Skills Editing: Concepts & Processes Reporting & Editing Lab TV Journalism & Programme Formats Television Production: Idea to Screen Practical  40 40 40 40 40 200  10 10 10 10 10 50  50 50 50 50 50 0 250  25 25 25 25 25 -  75 75 75 75 75 -  100 100 100 100 100 400  25  100 100  Total 3 Hrs 3 Hrs 3 Hrs 3 Hrs 3 Hrs 3 Hrs  Practical 100 Total  Semester  Four  Contact Hours (PerSemester) Practical Hrs Theory Hrs Total Hrs  Theory Exam Marks Practical Exam Marks  Duration Remarks of Exams  External  External 75  Internal  Internal  Total  Sr 1 2 3 4 5 6 7  PaperCode BSCMCAJ-401 BSCMCAJ-402 BSCMCAJ-403 BSCMCAJ-404 BSCMCAJ-405 BSCMCAJ-406 BSCMCAJ-407  PaperName Basics of Camera, Lights and Sound Advertising: Concepts & Principle Advertising through Print, Radio & Television Press Laws & Media Ethics Television Production Lab Operation & Handling of Video Equipments Practical  30 30 30 30 30 30 180  10 10 10 10 10 10 60  40 40 40 40 40 40 240  25 25 25 25 25 25 -  75 75 75 75 75 75 -  100 100 100 100 100 100 600  25  100 100  Total 3 Hrs 3 Hrs 3 Hrs 3 Hrs 3 Hrs 3 Hrs 3 Hrs  Internship 700 Total  Semester  Five  Contact Hours (PerSemester) Practical Hrs Theory Hrs Total Hrs  Theory Exam Marks Practical Exam Marks  Duration Remarks of Exams  External  External  Internal  Internal  Total  Sr PaperCode  PaperName  Total  1/46    1 2 3 4 5 6  BSCMCAJ-501 BSCMCAJ-502 BSCMCAJ-503 BSCMCAJ-504 BSCMCAJ-505 BSCMCAJ-506  Event Management: Principles and Methods Organization and Management Research Methodologies for Media Cyber Journalism Public Relations Practical  40 40 40 40 40 200  10 0 10 10 10 40  50 40 50 50 50 0 240  25 25 25 25 25 -  75 75 75 75 75 -  100 100 100 100 100 500  25  75  100 100  3 Hrs 3 Hrs 3 Hrs 3 Hrs 3 Hrs 3 Hrs  Practical 600 Total  Semester  Six  Contact Hours (PerSemester) Practical Hrs Theory Hrs Total Hrs  Theory Exam Marks Practical Exam Marks  Duration Remarks of Exams  External  External 75  Internal  Internal  Total  Sr 1 2 3 4 5 6  PaperCode BSCMCAJ-601 BSCMCAJ-602 BSCMCAJ-603 BSCMCAJ-604 BSCMCAJ-605 BSCMCAJ-606  PaperName World Media Scenario Contemporary Media Technology Radio Government Information System PROJECT REPORT Practical  40 40 40 40 40 200  10 10 10 10  50 50 50 50 40 240  25 25 25 25 25 -  75 75 75 75 75 -  40  100 100 100 100 100 500  25  100 100  Total 3 Hrs 3 Hrs 3 Hrs 3 Hrs 3 Hrs 3 Hrs  Internship 600 Total  2/46    Scheme of Papers M.Sc.(Mass Communication, Advertisement & Journalism) (MSCMCAJ) Applicable to September 2005 Admissions onward Semester One Contact Hours (PerSemester) Practical Hrs Theory Hrs Total Hrs Theory Exam Marks Practical Exam Marks Duration Remarks of Exams  External  External -  Internal  Internal  Total  Sr 1 2 3 4 5 6  PaperCode MSCFT-101 MSCFT-102 MSCFT-103 MSCFT-104 MSCFT-105 MSCFT-106  PaperName Introduction to Communication Introduction to Mass Communication Introduction to Journalism Introduction to Advertising Introduction to Computers Communication and Soft Skills Practical  30 30 30 30 40 20 180  10 10 10 10 10 10 60  40 40 40 40 50 30 240  25 25 25 25 25 -  75 75 75 75 75 -  100 100 100 100 100 400  50 25  50 100 150  Total 3 3 3 3 3 Hrs Hrs Hrs Hrs Hrs Internal Practical 550 Total Duration Remarks of Exams 100 100 Total 3 Hrs 3 Hrs 3 Hrs 3 Hrs 3 Hrs  Semester  Two  Contact Hours (PerSemester) Practical Hrs Theory Hrs Total Hrs  Theory Exam Marks Practical Exam Marks  External  Sr 1 2 3 4 5  PaperCode MSCFT-201 MSCFT-202 MSCFT-203 MSCFT-204 MSCFT-205  PaperName Introduction to Media Technologies Introduction to Public Relations Journalistic Reporting & Editing Advertising Design & Principles Project Report  50 50 50 50 200  10 10 10 10 40  60 60 60 60 0 240  25 25 25 25 -  75 75 75 75 -  100 100 100 100 400  25  75  External  Internal  Internal  Total  Project 500 Total  Semester  Three  Contact Hours (PerSemester) Practical Hrs Theory Hrs Total Hrs  Theory Exam Marks Practical Exam Marks  Duration Remarks of Exams  External  External 75  Internal  Internal  Total  Sr 1 2 3 4 5 6  PaperCode MSCFT-301 MSCFT-302 MSCFT-303 MSCFT-304 MSCFT-305 MSCFT-306  PaperName Introduction to Printing Technologies Introduction to Production Technologies Introduction to Newspaper Management Introduction to Copywriting, Visualization & Campaign Effectiveness Introduction to Mass Communication & Society Practical  40 30 40 40 40 190  10 10 10 10 10 50  50 40 50 50 50 240  25 25 25 25 25 -  75 75 75 75 75 -  100 100 100 100 100 500  25  100 100  Total 3 Hrs 3 Hrs 3 Hrs 3 Hrs 3 Hrs 3 Hrs  Practical 600 Total  Semester  Four  Contact Hours (PerSemester) Practical Hrs Theory Hrs Total Hrs  Theory Exam Marks Practical Exam Marks  Duration Remarks of Exams  External  External 75  Internal  Internal  Total  Sr 1 2 3 4 5  PaperCode MSCFT-401 MSCFT-402 MSCFT-403 MSCFT-404 MSCFT-405  PaperName Introduction to Communication Research Introduction to Photography Mass Communication Ethics & Laws New Media Technologies Project Report  50 50 50 50 200  10 10 10 10 40  60 60 60 60 240  25 25 25 25 -  75 75 75 75 -  100 100 100 100 400  25  100 100  Total 3 Hrs 3 Hrs 3 Hrs 3 Hrs 3 Hrs  Project 500 Total  3/46    Scheme of Papers Diploma in Mass Communication, Advertisement & Journalism) (DMCAJ) Applicable to September 2005 Admissions onward Contact Hours (PerSemester) Practical Hrs Theory Hrs Total Hrs  Semester  One  Theory Exam Marks Practical Exam Marks  Duration Remarks of Exams  External  External 0 75  Internal  Internal  Total  Sr 1 2 3 4 6 7  PaperCode BSCMCAJ-101 BSCMCAJ-102 BSCMCAJ-103 BSCMCAJ-104 BSCMCAJ-105 BSCMCAJ-106  PaperName Principles of Communication ­ I Global Comparative Media Information Technology History & Industry of Mass Communication Communication & Soft Skills Practical  40 40 40 40 20 180  10 10 10 10 20 60  50 50 50 50 40 240  25 25 25 25 -  75 75 75 75 -  100 100 100 100 400  50 25  50 100 150  Total 3 3 3 3 Hrs Hrs Hrs Hrs Internal Practical 550 Total 3 Hrs Duration Remarks of Exams 100 100 Total 3 Hrs 3 Hrs 3 Hrs 3 Hrs 3 Hrs 3 Hrs  Semester  Two  Contact Hours (PerSemester) Practical Hrs Theory Hrs Total Hrs  Theory Exam Marks Practical Exam Marks  External  Sr 1 2 3 4 5 6  PaperCode BSCMCAJ-201 BSCMCAJ-202 BSCMCAJ-203 BSCMCAJ-204 BSCMCAJ-205 BSCMCAJ-206  PaperName Mass Communication Concepts and Processes Print Media & Photo Journalism Reporting & Editing - I Communication Skills Computer Application for Journalism Practical  40 40 40 40 40 200  0 10 10 10 10 40  40 50 50 50 50 240  25 25 25 25 25 -  75 75 75 75 75 -  100 100 100 100 100 400  25  75  External  Internal  Internal  Total  Practical 500 Total  4/46    Scheme of Papers PG Diploma in Mass Communication, Advertisement & Journalism (PGDMCAJ) Applicable to September 2005 Admissions onward Semester One Contact Hours (PerSemester) Practical Hrs Theory Hrs Total Hrs Theory Exam Marks Practical Exam Marks Duration Remarks of Exams  External  External -  Internal  Internal  Total  Sr 1 2 3 4 5 6  PaperCode MSCFT-101 MSCFT-102 MSCFT-103 MSCFT-104 MSCFT-105 MSCFT-106  PaperName Introduction to Communication Introduction to Mass Communication Introduction to Journalism Introduction to Advertising Introduction to Computers Communication and Soft Skills Practical  30 30 30 30 40 20 180  10 10 10 10 10 10 60  40 40 40 40 50 30 240  25 25 25 25 25 -  75 75 75 75 75 -  100 100 100 100 100 400  50 25  50 100 150  Total 3 3 3 3 3 Hrs Hrs Hrs Hrs Hrs Internal Practical 550 Total Duration Remarks of Exams 100 100 Total 3 Hrs 3 Hrs 3 Hrs 3 Hrs 3 Hrs  Semester  Two  Contact Hours (PerSemester) Practical Hrs Theory Hrs Total Hrs  Theory Exam Marks Practical Exam Marks  External  Sr 1 2 3 4 5  PaperCode MSCFT-201 MSCFT-202 MSCFT-203 MSCFT-204 MSCFT-205  PaperName Introduction to Media Technologies Introduction to Public Relations Journalistic Reporting & Editing Advertising Design & Principles Project Report  50 50 50 50 200  10 10 10 10 40  60 60 60 60 0 240  25 25 25 25 -  75 75 75 75 -  100 100 100 100 400  25  75  External  Internal  Internal  Total  Project 500 Total  5/46    PUNJAB TECHNICAL UNIVERSITY Jalandhar  DISTANCE EDUCATION PROGRAMME http://www.ptu.ac.in  Mass Communication Advertisement & Journalism Courses  Syllabus  Applicable to September 2005 Admission Batch  © Copyright, Punjab Technical University  6/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  B.Sc.(Mass Communication, Advertisement & Journalism) SEMESTER I BSCMCAJ-101: Principles of Communication ­ I Fundamentals of Communication Meaning of communication, features, importance, patterns, techniques of communicationformal/informal, verbal/written, downward & upward. Barriers of communication, Essential of communication, 7 C \'s of communication, Factors affecting process of communication. Process of Communication Transmission of ideas, facts & figures from one person to another, elements of communication process (message, sender, encoding, channel, receiver, decoding, acting & feedback). Forms of Communication Intrapersonal communication, interpersonal communication, group communication (public, crowd, small group), mass communication, non-verbal communication, body language. Oral Communication Planning and conducting interviews, selection interviews, reprimand interviews, clinical & psychological interviews, grievance interview, exit interviews, preparation with reference to welcome, introduction and thanks. Listening skills Listening, types of listening, barriers to listening, effective listening skills. Reading skills Model of reading to learning, reading tactics and strategies, reading purposes ­ kind of purposes and associated apprehensions, reading for meaning, reading outcomes. PRACTICALS: P ­ 1.2 a) b) c) d) e)  Writing an application, business letter, memo and personal resume Develop an awareness of Reading to Learning procedure State reading purpose & comprehension Listening exercise ­ listening to news on Radio & TV Conversation & lecture  Suggested reading a) Business Communication - K.K.Sinha (Galgotia Publishing Company) b) Communication ­ Asha Kaul (Prentice Hall India) c) Communication ­ C.S.Rayadu (Himalaya Publication)  7/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  BSCMCAJ-102: Global Comparative Media 1. Media: Media, types of media, concepts of global media 2. Global advertising: Global advertising, global agencies, global media, choice of global media 3. Global market place: Global market place, requirement of global market place, types of global markets, doing business abroad. 4. Global campaign: Global campaign, global marketing environment, global consumer research. 5. Global media environment: Global media environment, global electronic media, global print media, global new media. 6. Ethical and legal considerations: Ethical and legal considerations in global media environment, impact of technology. 7. Case studies: Case studies in Global media. Suggested Readings 1. Global Comparative Media ­ M.K. Rampal  8/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  BSCMCAJ-103: Information Technology  1. Introduction to information technology - Information - Characteristics of information - Uses of information - Flow of information in Organisation - Levels of information - Categories of Information - Information Technology 2. Introductory concepts and applications of computers - Introduction to computers - Importance of computers - Computer application in various areas of business · Computers in Personnel department · Computers in Finance department · Computers in Marketing department · Computers in Production department · Office Automation - General Application of computers in various fields 3. Fundamentals of computers - Classification of computers - Basic principles of operation of digital computer · Input unit · Central processing unit · Output unit - Computer system - Computer virus - Development of computers and computer generations · History of computer · Generation of computers - Computer number system 4. Data processing - Data Processing concepts - Data Processing cycle - Objectives of Data Processing - Steps of Data Processing - Data Processing operations - Data Bank - Database - Methods of Data Processing - Transaction Processing 5. Operating system - Functions of operating system - Types of operating system · DOS (Disk Operating System) · UNIX operating system · Windows operating system  9/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  6. Networks - Introduction to network - Types of Networks · Local area network (LAN) · Wide area network (WAN) · Metropolitan area network (MAN) Topologies. 7. E-commerce & internet - E-commerce · Reasons for the growth of E-commerce · Features of E-commerce · Importance of E-commerce · Objectives of E-commerce · Types of E-commerce - Internet · Evolution of internet · Service of internet - Intranet · Features of Intranet · Working of Intranet · Advantage of Intranet - Extranet - World Wide Web (www) 8. Windows - Basic Commands - Components of MS- Office · MS- Word · MS- Excel · MS- PowerPoint - Basic application of MS- Office 9. Introduction to multimedia - Types of media - Why multimedia - Presentation & Advertisement - B-2-B & B-2-C communication - Private & public keys PRACTICALS: P ­ 1.3: Computer Lab: MS Office 2000, MS Word, MS PowerPoint and MS Excel. Suggested Readings 1. Introduction to Information Technology ­ R. Sarvana Kumar, R.Parameswaran, T.Jayalakshmi (S.Chand) 2. `O \' Level ­V.K. Jain 3. Computer Fundamental ­ P.K. Sinha 4. Computer Today.  · ·  Windows 98 Windows NT workstation  10/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  BSCMCAJ-104: History & Industry of Mass Communication 1. Introduction to Mass Communication Eras of Mass Communication Globalisation Stages in History of Advertising. Introduction to Journalism Role, Power & Censorship in the Press Making of a Newspaper a) News Reporting, b) Investigative and Interpretive Reporting, c) Sub Editor, d) Headlines, e) Feature Writing and Interviews. Press codes & Ethics a) Code of Ethics in Indian Journalism, b) Press Councils guide to Journalistic Ethics.  2.  -  3.  The Psychology and Sociology of Media Audiences - Introduction - Media Audiences - The Psychology of Audiences - Group by Group - Types of groups - The Mass Audiences and their nature - The public and the public opinion - The two step flow of information - Mass media and public opinion - Agenda setting. Model of Mass communication - Kiatz and Lazarfield \'s two step model. - Ball ­ Rockreach and Defier \'s dependency model - Model of Agenda setting and effects - Model of Gate-keeping by White, Gatung and Rouge.  4.  5. Issues in Communication - New world of communication order recommended by Mcbridge Media Imperialism. Democratization communication and culture.  11/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  BSCMCAJ-105: Communication & Soft Skills UNIT I Essentials of Grammar: · · · · UNIT II Office Management: · · · · · · · UNIT III Letter & Resume Writing: · · · · · · · UNIT IV Presentation Skills: · · · · · · · · · · · UNIT V Interview Preparation: Importance of Presentation Skills Capturing Data Voice & Picture Integration Guidelines to make Presentation Interesting Body Language Voice Modulation Audience Awareness Presentation Plan Visual Aids Forms of Layout Styles of Presentation. Types of Letters-Formal / Informal Importance and Function Drafting the Applications Elements of Structure Preparing the Resume Do \'s & Don \'ts of Resume Helpful Hints Types of Correspondence Receipt and Dispatch of Mail Filing Systems Classification of Mail. Role & Function of Correspondence MIS Managing Computer Parts of Speech Punctuation Vocabulary Building Phonetics  12/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  · · · · · · · · UNIT VI  Types of Interview Preparing for the Interviews Attending the Interview Interview Process Employers Expectations General Etiquette Dressing Sense Postures & Gestures  Group Discussion & Presentation: · · · · · Definition Process Guidelines Helpful Expressions Evaluation  (Note: Every student shall be given 15 minutes. of presentation time & 45 minutes of discussion on his/ her presentation.) The student will be evaluated on the basis of : his / her presentation style Feedback of Faculty & Students General Etiquette Proficiency in Letter Drafting / Interview Preparation The paper is internal and at least 3 tests will be taken. Best 2 of 3 shall account for final grades (70% Test & 30% Presentation)  Reference Books : 1. Business Communication ­ K.K.Sinha. 2. Business Communication ­ Pal & Korlahalli. 3. Basic Grammar ­ Wren & Martin BSCMCAJ-106: Practical A Comprehensive Practical Exam of Maximum of 75 Marks comprising of Practical Component of all the papers taught during this semester. An internal marking of 25 marks should also be carried on the same pattern during the teaching of the semester.  13/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  SEMESTER II BSCMCAJ-201: Mass Communication Concepts and Processes  1.  Mass Communication: Meaning & definitions, Characteristics & features Scope the concept of Mass & Mass Culture of Mass Communication Mass Communication and other forms of Mass Communication Interface between Intra personal & Mass Communication Functions of Mass Communication: To-Persuade, Inform, Educate, and Entertain; Other functions; Impact & Influence of Mass Media Theories of Mass Communication: Meaning of theories based on scientific study & analysis; Four major theories of Press, according to Fred Siebert, Theodore Peterson & Wilbur, Schramm. (a) Authoritarian Theory (b) Libertarian Theory (c) Social Responsibility Theory (d) Soviet Communist/Workers Theory (e) Other Theories: Development Media & Democratic Participant Theory Tools of Mass Communication: (a) Newspapers, Magazines, Radio, TV, Films, Records, Internet (b) Advertising, Public Relations & Public Affairs (c) Traditional & Folk Media Journalism and Mass Communication: Mass media and modern society - functions - mass media and democracy; Print media in India: on overview  2. 3.  4.  5.  6.  SUGGESTED READINGS 1. Mass Communication & Development 2. Mass Communication in India 3. Mass Communication Journalism in India 4. Mass Communication Theory  Dr. Baldev Raj Gupta Keval J Kumar D S Mehta Denis McQuali  14/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  BSCMCAJ-202: Print Media & Photo Journalism Journalism : Concept, Dimension, Growth, Importance, Requirements, Ideals, Nature, Objectives, Purpose & Functions. 2. What is News? Definitions, Nature of News, Qualities of News, News Value, Hard & Soft News. Orientation & Perspective, Objectivity & Fairness, News as a process, Verification, special interests. Why is News Important - Difference between News & Information Journalism & Communication - Stories of High Interest - Celebrity Journalism, Trends in modern journalism - Influence of TV channels on serious news reporting in print mediaSensationalism & Entertainment. 3. News Media Operations: How news media functions? Three Modes of Daily Journalism, National media - How it nationalises the news? Agenda setting function of the National media, New categories of News, Approaches of Journalism. Press Organisations. 4. News Agency Journalism: History, functioning & role of PTI and UNI, International News Agencies, Feature, Syndicates 5. Photography: Elements and principles - visual language - meaning - photographer \'s jargon; composition of photography - subject and light. 6. Photographic equipment : Cameras - types - formats - lens - their types and functions - film - types and functions accessories. 7. Camera and Photo: Shots - focus - shutter - speed - selection of subject - different types of photographs action - photo editing - procedure - pictures for newspapers and magazines - developing photographers \' manual and computerised photography. 8. Photographing people: Portrait and still, wildlife; environment; sports; landscape; industrial disasters; photography for advertising; conflicts - war - political and social photography. 9. News values for pictures: Photo - essays - photo features; qualities essential for photo journalism; picture magazines - colour photography - impact of technology, practicals, field assignments and their evaluation. PRACTICALS: P ­ 1.4 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. Discussion and analysis of newspapers and news magazines Preparing Display boards on important news events/topical issues Cameras, Lens and other Accessories Different kind of Shots Development of photographs - How it is done? Photo editing Photographing people, portrait and still, environment, sports, landscape, disasters Photography for Advertising Photo - Feature Field assignments and their evaluation 1.  15/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  BSCMCAJ-203: Reporting & Editing - I 1. Reporting: Principles of reporting, functions and responsibilities, writing news - lead - types of leads; body - techniques of re-writing - news agency copy. Reporting: Reporting techniques - qualities of a  \'reporter - news - elements, sources - types - pitfalls and problems in reporting - attribution - off - the - record - embargo - pool reporting; follow - up. Reporting: Crime, courts, health, civil administration, civic, culture, politics, education beats. Editing: Nature and need for editing. Principles of editing, editorial desk, functions of editorial desk, copy-editing preparation of copy for press - style sheet - editing symbols, proof reading symbols and their significance. Functions and qualifications of a sub-editor and chief--sub editor, copy selection and copy testing. Structure and functions of newsroom of a daily, weekly newspaper and periodicals, different sections and their functions. Headlining - principles, types and techniques  2.  3. 4.  5. 6. 7.  16/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  BSCMCAJ-204: Communication Skills Theories of Communication a) Hypodermic Needle ­ Theory b) Two-step & Multi-step Theory c) Commercial Theory d) Play Theory e) Uses & Gratification Theory f) Selective Exposure, Selective Perception & Selective Retention Theory g) Individual Difference Theory Models of Communication a) SMR Model b) SMRc Model c) Shanon & Weaver Model d) Laswell Model e) Osgood Model f) Dance Model g) Schramm Model h) Gerbner \'s Model i) New Comb Model j) Convergent Model k) Gate Keeping Model Written Communication Meaning of business report, types and essentials of ideal reports, preparation of first draft of the report, collection, classification and selection of information, logical ordering, presentation and reports, writing application, personal resumes, business letters, memos. Telephone handling manners Receiving the call, problems in telephonic communication, sample telephonic conversation dialogue form. Preparation of matters of Meetings The writing of notices, agenda & minutes, organisation & conduct of conference, the use of chart, line charts, scatter diagrams, designing messages, title of charts, choosing of suitable charts. Verbal Communication Universals of verbal communication. Meaning and barriers in verbal communication. Language, sub-language and culture. Non-Verbal Communication Non-Verbal behaviour as communication. Body communication and body movement. Facial communication. Space communication ­ physical environment, silence, paralanguage and temporal communication. Suggested Readings 1. Business Communication ­ K.K. Sinha (Galgotia Publishing Company) 2. A Practical Grammer of English ­ Thomson & Martinet 3. Improve your word power ­ R.Birley 4. Student Companion ­ (Rupa)  17/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  BSCMCAJ-205: Computer Application for Journalism 1. Page Maker, Interfacing, Working with text, Page Setup, Printing, Formating Techniques; Graphics and Drawings. 2. Corel Draw Environment, Working with Objects, Outing, Clipart and Symbols ; Control of Object Outlines - Text Creation and Alignment - Bitmap Graphics - Conversions - Graphs COREL SHOW - Cartoons - Use of colours in publishing concepts. PRACTICALS: P ­ 1.5 COMPUTER LAB 1. 2. 3. 4. Page Layout: Adobe Page Maker, MS Publisher, Quark press Graphics: Adobe Illustrator, Classic Art Techniques, Adobe PhotoShop, CorelDraw, Design for presentations, Macro Media free hand, MS Power Point, Web Graphics with Adobe PhotoShop, Web Graphics with Macro Media fireworks Scanning printed images. Editing photographs. Transferring photographs to pages. Formatting type/font. Selecting backgrounds. Using colours. Creating tables. Working with images. Using frames.  BSCMCAJ-206: Practical A Comprehensive Practical Exam of Maximum of 75 Marks comprising of Practical Component of all the papers taught during this semester. An internal marking of 25 marks should also be carried on the same pattern during the teaching of the semester.  18/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  SEMESTER III BSCMCAJ-301: Reporting Techniques & Skills Part - I 1. The Business of Mass Media & Reporter. 2. Gathering The News: Reporting & Reporters - Training & Qualifications to be a reporter - Where reporter work - Reporting for Newspapers - Reporting the expected & unexpected - Made news - What reporters do - Reporting skills - A nose for News. Observation (listening & seeing), Taking notes, finding, checking, verifying, analysing & interpreting information - Interviewing Asking questions - Types of interviews - Interviewing techniques. 3. Skills For Writing News: The basic formula - The Inverted Pyramid: advantages & disadvantages. Writing the Lead - Kinds of Leads - The summary Lead - Thinking through the Lead - Finding the appropriate verb - No news Lead - Organising the facts - Time elements - Variations on the summary Lead - Some other aspects of the Lead - Datelines, Credit Lines, Bylines Checklist for the standard of the news story. 4. Types Of Reporting: Objective, Interpretative, Investigative, Legal, Developmental. Political. Sports, Crime, Economic & Commercial, Technical & Science Reporting & the rest. 5. Writing The Story: Single - Incident Story - Attribution - Identification - Time and Timeliness - The Stylebook. 6. Extracting Stories from outside copies: Citizens, Press releases, Institutional sources Ministries & Govt. Departments etc. 7. Clarity And Accuracy: How much do readers know? Define & Explain - Context & background - Technical words & Terms - obscure details - Jargons & euphemism - Unanswered questions - Stories with holes - Accuracy always - Verifying Facts - Verifying quotations - Credibility - Confessing errors. Part - II 8. Writing The Story - II: Coming events - Stores with many names - Localising - Tying the story together Depth reporting. Writing Hard News, Action & Fire Stories - Accidents -  Allegedly  - Obituaries Anecdotes & Tributes - Style. 9. Writing For Magazines: News - Angles - Structure & Organisation - Suspended Interest - Stories - The feature touch writing feature - keeping it simple - involving the reader - Holding something backPlaying with words - Allusions - Creative Leads. Other approaches - Questions - The imperative - Direct address. 10. Articles, Editorials, Middle, Profiles Letters To The Editor, Book Reviews, Film Review, Sports Reviews. Part - III 11. Photo Journalism: How is News Photography different from the rest - Analysing the camera angle Action photography - Choosing the right - pix - India \'s Top Photo Journalists. Cartooning: The Craftsmanship, India \'s Top Cartoonists 12. Glossary of Newspaper terminology SUGGESTED READINGS 1. News Writing - George Hough (Indian edition by Kanishka Publishers, No. 4697/5-21A. Ansari Road. Daryaganj, New Delhi ­ 110 002. Ph. 3270497.3288285. Fax no.: 3288285). 2. The Professional Journalism - M. V. Kamath 3. The Journalist  \'s Handbook - M.V. Kamath  19/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  BSCMCAJ-302: Editing: Concepts & Processes PART I 1. Introductory: Meaning Concept, Objectives & Scope of Editing 2. Basic Editorial Set - Up Of A Daily: Position of Editor (Chief editor, Editor - in Chief. Executive editor, Resident editor, Managing - editor, Assistant editor (s) - their functions, Editorial writers their functions, Importance & Significance of the Editorial Page. Editorial Set - up of a Magazine Into The Newsroom: Role of the News Editor, His Responsibility for Organisation And Selection of News. Their Editing And Treatment. Editing Desk vs Reporting - Section: Chief Sub - Editor (s), Sub - Editors and their functions; Their Relationship with: (a) The News Bureau & Its Chief, (b) Chief Reporter & Other Reporters, Correspondents, Stringers, Freelancers. (c) The Photo Section: Chief Photographer & Other Photographers; (d) Cartoonists & Illustrators. Working of The News - Room. Co-ordination Process: a) Co-ordination of The News Room With The Press And Its Various Sections. Namely - Composing, Proof - Reading, Processing, Make-UP, Dark - Room, Printing And Such Others And Their Functions. b) With The Advertisement Department. c) With The Circulation And Promotion. Sources From Where Copy Comes: New Agencies & Syndicates (PTI & UNI) ; Internal Sources - Reporters ; Approaches to Different Types of Copies. News Evaluation: What makes News, Basic criteria for testings copy. Perspective of Democracies & Importance of Developmental News & News on special target groups, areas; News Treatment as in Index of identity with target audience.  3. 4.  5.  6.  7.  8.  Part - II 9. Editing Processes: An Overview; Facts of Editing, What comprises Editing, Principles of Editing, Judging the News, Editing Tools, Symbols, Correctness of Spellings, Grammar, Idioms Usage, Consistency; Authentication of Data When & Where Necessary. What Editing does for Copy: Performing make - Up Operations, Regularising it the style of the Newspaper. Adjusting Story Length to The Space Requirements, Detecting & Correcting Errors of Facts & Simplifying Language. Clarifying & Amplifying Language, Verifying names, Watch for redundancies. Making Stories Objective, Fair & Legally Safe. Restructuring / Rewriting The Story (if necessary), Altering a Story \'s tone when necessary. Correcting Copy for good taste, Improving the Lead, Interpretative & Investigative Approach, its Importance in Developing countries. Treatment of Mofussil & Developmental News, Editing of Wire News, Press Releases, Features. Articles & Developing Stories; Reading Proofs. Part - III  20/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  10.  Language Skills for the Desk: Modern Conventions, Punctuation, Some facts on Spellings, Principles behind Modification  Part - IV 11. Writing The Headline: Purpose of headlines. Headline defined, the head schedule, Basic Skills for successful headline writings, Evolution of headline typography. Counting the head, hedging the count, Head writing by computers, Headline styles, Polishing the headlines. Part - V 12. Newspaper Make - Up: The Front Page, Inside Page Make - Up, Using sketches, using boxes, Graphics, cartoons & Pictures, Caption writing & styles, Refers, Influence of Computer - Based Technologies on Composing, Editing & Production Approaches & Styles; The Future Using Photographs: Pix have a purpose, Picture pages, Cropping Part - V 13. Planning Of Pages: Organised, Purposeful Flow of material to Press, Tentative earmarking of Matter for each page & the manner of their treatment; Handling of Supplements & Magazine Space. Part - VI 14. Front Page: Its Importance As The Face Of A Daily Newspaper, Logic Of Gradation And Treatment And Positioning Of Items; Balancing News And Make - Up Requirements;   Late News   Stop Press , Exigencies In The Production Of A Newspaper, Value of Teamwork. Editorial Page: Its importance, Types of Editorials Part - VII 15. Morning And Dak Editions: Types of Editions, readership Surveys, The decline in Readership. Emerging Trends In Newspaper Presentation. What lies ahead? SUGGESTED READING 1. News Editing - Bruce II. Westley 2. Outline Of Editing - M.K. Joseph 3. The Journalist  \'s Handbook - M.V. Kamath 4. Advanced Editing - Adarsh Kumar Varma 5. The Making Of An Editor - Rahul Mudgal  21/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  BSCMCAJ-303: Reporting & Editing Lab (Practical) 1. 2. 3. NEWS LETTER PRODUCTION NEWS PAPER PRODUCTION MAGAZINE PRODUCTION  From the third semester onwards, the students are required to bring out a Newsletter, a Newspaper & a Magazine each semester.  BSCMCAJ-304: TV Journalism & Programme Formats 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. Television for journalism Understanding the medium Writing for visuals Piece to Camera Presentation Reporting Interview Reportage Live Shows Anchoring a Show Programme Production Packaging for a channel Packaging Stories  BSCMCAJ-305: Television Production: Idea to Screen  Selection of the programme topic: Developing programme briefs (Objectives, Contents, Duration etc), Researching the topic, Programme Resources, Style and format, structuring the programme, Storyboard and Script Designing, Script Layout. Video Recording and Editing: What is editing? Rules of editing, Editing sound; Umatic, Beta & VHS, Types of editing, Cut to cut, A/B roll, Assembly and insert editing. Media Research Methodology: Writing support materials, Designing Evaluation Tools and Techniques, Evaluation and field testing of programme, Preview and Analysis of programme. BSCMCAJ-306: Practical Combined Practical for all the papers in the semester.  22/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  SEMESTER IV BSCMCAJ-401: Basics of Camera, Lights and Sound Camera: (a) (b) (c) Lighting: (a) (b) (c) (d) Sound: (a) (b) What is sound? Unit of sound, Voicing Types of microphones, use of audio mixers for recording & editing of sound Lights and lighting Basics of lighting, Techniques Different types of lights used in videography Use of filters & reflectors Video camera, Types of video camera Different types of shots, camera movements, Tilt, Track, Crane movements etc. Lenses: Different types of lenses and their application  BSCMCAJ-402: Advertising: Concepts & Principle 1. Introduction to Advertising (a) Definition (b) Origin & development (c) Growth of advertising in India (d) Scope (Effects on Economy/Industry) (e) Facets of advertising (As an act of commerce, as hidden persuader) Purpose of Advertising (a) Need for advertising (b) Functions of advertising (c) Benefits of advertising: To Seller, Buyer & Media Types of Advertising (a) Commercial & Non - commercial (b) Product & Consumer (c) Classified & Display (d) Retail & Wholesale (e) Regional, National & Co-operative (f) Govt. advertising (g) Comparative advertising Advertising as a Communication Tool (a) Communication Process & Advertising (b) Communication Principles, Theories applied to advertising Advertising as a Marketing Tool (a) Concept of Marketing & advertising (b) Marketing Mix - 5 P \'s in marketing (c) Segmentation of consumer & positioning of product Advertising as a PR Tool  2.  3.  4.  5.  6.  23/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  (a) Relationship of Advertising & Public Relation (b) Corporate/Institutional Advertising 7. Advertising Theories (a) Unique Selling Proposition (b) Brand Image (c) Relevance to Indian Advertising Role & effects of Advertising (a) Negative & Positive Effects (b) Advertising & Society (c) Advertising & Development (d) Role of advertising in National Economy (e) Social/Public Advertising.  8.  SUGGESTED READINGS 1. Indian Broad Casting 2. Television Techniques 3. Advertising Made Simple 4. Ogilvy on Advertising 5. Advertising Management  H R Luthra (Publications Division) Hoyland Beltinger (Harper & Brothers) Frank Jefkins (Rupa & Co.) David Ogilvy (Pan Books) Aaker, Myers & Batra  24/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  BSCMCAJ-403: Advertising through Print, Radio & Television 1. Advertising Objectives (a) Setting the objectives (b) Strategies to achieve objectives 2. Advertising Campaign (a) Various stages of the campaign (b) Combined campaigns & inter-media coordination 3. Advertising Agency (a) Organisational Structure / Patterns (b) Skills required for various jobs (c) Functions of advertising agencies (d) Their role importance (e) Selection of advertising agency (f) Agency commission & fee 4. Advertising Budget (a) Advertising expenditure & process of budgeting (b) Factors affecting advertising expenditure (c) Methods of determining advertising expenditure (d) Administering the budget 5. Advertising Copy (a) Translating advertising message into copy (b) Preparing effective copy, Punch lines (c) Elements of a print copy - Headlines, Body copy, Illustration, Slogan, Logo (d) Role of colours (e) Elements of a broadcast copy (f) Copy writing techniques for audio & video (g) Use of visual signs, sound, audio - video effects, words (h) Script writing for radio & television ad 6. Production (a) Stages of the production process - Thumbnail sketches, roughs, storyboard, copy/script/final artwork etc. (b) Related inputs - Photography, camera, sound system 7. Advertising Media (a) Print Media - Newspapers, Magazines, Pamphlets, Handbills, Posters, Souvenirs, Brochures (b) Electronic Media - Radio, TV, Cassettes & CDs (c) Other Media - Direct Mail, Outdoor Media (d) Characteristics, Merits & Limitations of various media 8. Media Planning & Scheduling (a) Selection of media category (b) Reach, Frequency & Impact of selected media (c) Cost & other factors influencing the choice of media (d) Media Scheduling 9. Advertising effectiveness (a) Methods of measuring effectiveness (b) Pre-testing & Post - testing 10. Regulation of advertising in India (a) Misleading & deceptive advertising (b) Laws related to advertising (c) Self - regulatory advertising SUGGESTED READINGS 1. 2. 3. 4. 5. Indian Board Casting Television Techniques Advertising Made Simple Ogilvy on Advertising Advertising Management H R Luthra (Publications Division) Holyland Beltinger (Harper & Brothers) Frank Jefkins (Rupa & Co.) David Ogilvy (Pan Books) Aakar, Myers & Batra  25/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  BSCMCAJ-404: Press Laws & Media Ethics 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. Press, Law, Society & Democracy Constitutional Safeguards to Freedom of Press Press Commissions & their recommendations Press & Registration of Books Act Working Journalist Act Law of Libel & Defamation Contempt of Court Parliamentary Privileges Press Council Act Official Secret Act Right to Information Copyright, Intellectual Property Right Social Responsibility of Press Ethics, Self-Regulation & Freedom of Expression  SUGGESTED READINGS 1. 2. 3. Mass Media Laws & Regulations Press in the Indian Constitution Principles & Ethics of Journalism C S Rayudu, S B Nageshwar Rao R K Ravindran Dr. Jan R Hakemuldar, Dr. Fay AC de Jouge, P P Singh  BSCMCAJ-405: Television Production Lab Focuses on a production of TV programme from conceptualization through post - production editing familiarizes with: Story treatment Scripts, Storyboards, Budgets, Floor plan, sets, make-up costume, jewelry, lights, audio, graphic rehearsals, Shooting schedules Post - Production editing  26/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  BSCMCAJ-406: Operation & Handling of Video Equipments (Camera, Lights & Sound Lab) Camera: (a) (b) (c) Lights : (a) (b) (c) Sound : (a) (b) Demonstration of various pieces of audio recording equipment Creative use of sound effects & music tracts Providing theory, rules & principles of quality lighting Shows the creative use of back - lighting Proper placement of lights & lighting equipment for principle subjects and sets both on location and in the studio Focuses on Cameras & Recorders controls Shooting techniques Basic theory of Video recording  BSCMCAJ-407: Practical Combined practical for all the papers in the semester.  27/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  SEMESTER V BSCMCAJ-501: Event Management: Principles and Methods 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. Role & importance of exhibitions Objectives of the exhibition Advantage of exhibition over other devices Importance of direct contact Choosing the right exhibition - Where to participate Why exhibitions sell? Concept of neutral territory PR for an exhibition Role of the Press in promotion of an event Publicity inputs or visible aids for promoting an event Print & Display material Stand Design Trade Fair: Uses & Abuses Gauging Cost Effectiveness  PRACTICALS P ­ 5.1 : EVENT MANAGEMENT LAB Designing & Development of print of display material for an exhibition along with publicity & promotional material for the event.  BSCMCAJ-502: Organization and Management 1. Media organization: Meaning, Nature, Forms, Structure and Functions; Role and Importance of Media Organizations. 2. Management: Definition, Nature and Management Functions ; Planning ­Definition, Process and Importance ; Organisational Structure and Design ­ Responsibility, Authority and Accountability ; Span of Control ; Centralisation and Decentralisation. 3. Human Resource Planning & Process Recruitment, Selection, Orientation, Training and Career Development 4. Foundations of Behavior Attitudes, Personality, and Learning; Leadership ­ Importance and major types; Contemporary Issues in Leadership ­ empowerment, gender leadership, leadership style across and culture; Motivating employees. 5. Control Tools and Techniques Financial, Operational and Behavioural Controls. 6. Establishing a Media Organization Steps involved, Process, Importance of Entrepreneurship and Sources of Finance. Suggested Reading: 1 2. 3. 4. 5. 6. 7. Stephen P. Robbins & Mary Coulter, Management, Prentice Hall of India. Anna Bhattacharyajee, The Indian Press ­ Profession to Industry. M. V. Deasi & Sewanti, Beyond Those Headlines : Insiders on the Indian Press. Ashok V. Deasi, Economic Aspect of Indian Press. Jane Willis, Surviving in the Newspaper Business Concard C. Fink, Strategic Newspaper Management H.R. Luthra, Indian Broadcasting  28/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  BSCMCAJ-503: Research Methodologies for Media Research: Definitions, Methods, Selection & Formulation of Research Problem, Hypothesis, Sampling, Research Designs, Processing & Analysis of data, Statistical Analysis, Findings, Report Writing. Survey : Meaning, Concept, Utility, Planning, Organising & Conducting survey, Public Opinion Survey, Readership Survey. Date : Meaning, Kinds - Demographic, Socio - Economic, Socio - Psychological data. Tools of Data Collection : Questionnaire, Schedule, Interview, Case study, Observation, Content Analysis etc. Media Research : Measuring Impact, Evaluation, Monitoring, and Feedback. Market Research : Principles of Market Research , Theories of Segmentation & Positioning, Pre-Testing, Post Testing. PRACTICALS P ­ 5.2 : RESEARCH METHODOLY FOR MEDIA LAB Designing & implementation of Pre-testing / Evaluation tools for audio, video, print, display & publicity material. SUGGESTED READINGS: 1. Social Research 2. Doing Your Research Project 3. Research Methodology - Methods & Techniques 4. Research Methodology in Social Sciences 5. Communication & Research for Management 6. Research in Mass Media 7. Research - How to Plan, Speak & Write About it  S R Vajpayee Judith Bell C R Kothari Sandhu & Singh V P Michael S R Sharma & Anil Chaturvedi Clifford Hawkings & Macro Sorgi  29/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  BSCMCAJ-504: Cyber Journalism 1. Cyber Journalism: What is Cyber Space? What is Information Super Highway? Internet and Information Revolution, Fundamentals of Cyber Media, Comparison of Cyber Media with Print, TV, Radio mediums, Advantages & Disadvantages of Cyber Journalism Writing for Web Media: Basic rules Do \'s & Don \'ts, Writing News stories, Features & Articles on the Web, Interviewing on the Web, Why Print & Electronic Media networks are going on the Net? Impact of Web Journalism, Recent Trends. Presentation & Layout of Web Newspapers & Magazines, Advertising on the Web, Circulation of Web Newspapers, Future of Web Journalism Analysis of important Indian News - based Websites, Trends in Cyber Reporting & Editing, Impact of globalisation on Web Journalism, Cyber Laws, Concept of e governance  2.  3.  4.  PRACTICALS P ­ 5.3: INTERNET : · · · · · · · · · Hardware & Software Web Search Engines, Net Surfing, Searching, Creating E-mail Accounts, Sending & Receiving Mails, Downloading sites, Hypertext Transfer Protocol (HTTP), Hypertext Mark - up Language (HTML)  Soon after the End Term Fourth Semester Examinations the each Students shall undergo a Functional Exposure Training of eight weeks duration in Print Media, Radio Journalism, Television Journalism and Television Production and will submit a Functional Exposure Report containing the actual experiential learning at least eight weeks before the commencement of End Term Examination of the Fifth Semester. The Functional Exposure Report shall carry 100 Marks and shall be evaluated by an External Examiner appointed by the Vice-Chancellor of the University. SUGGESTED READINGS: 1. 2. 3. 4. 5. 6. Cyberspace Aur Media Fundamentals of Information Technology Multimedia Systems IT in the New Millennium IT Electronic Media & the Internet Sudhir Pachauri Deepak Bharihoke Ramesh Agarwal & Bharat Bhushan Tiwari V D Dudeja S L Sah Y K D  \' souza  30/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  BSCMCAJ-505: Public Relations  1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 10. 11. 12. 13. 14. 15. 16. 17. 18.  Role of Public Relations in Corporate Image Building Functions of Public Relations PR as distinguished from Marketing, Sales Promotion & Advertising PR Techniques Relationship & Duties of the PR Practitioner - Value of IPR Code & the International Codes of Conduct Functions of PR Department & Manager - Advantages & Disadvantages PR consultancy - Its advantages & disadvantages PR programme planning Evaluating results of PR work Press Relation & its principles The News Release - Seven point formula & its importance Writing Techniques, Press Event & Organising them Internal PR ­ Media & Techniques Employee Relations Exhibition PR & its planning Uses & kinds of Exhibition PR Role of Photography in PR Importance of Marketing Research for the PR practitioner PR in developing countries.  BSCMCAJ-506: Practical Combined Practical for all the papers in the Semester  31/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  SEMESTER VI BSCMCAJ-601: World Media Scenario  Objective: The media constitute a very powerful force in modern society. Power, however, carries enormous responsibility, especially in the present day globalised work place. Thus, the aspiring global media persons must know the complex international media scenario to work across time zones and cultural barriers. Contents: 1. World Media scenario since the World War - II : The Cold War Days, Emergence of the Third World Countries, The Non Aligned block and its relevance. 2. Colonisation of Communication: 10% population dominating 90% of global news agencies, the news syndicates and mammoth TV network. Why? 3. Integration between Information and Armament: Close encounters between information & armament, media & military. 4. Use of media by power blocks, super powers. 5. Demand for a new information order by developing countries. 6. Bilateral, multi-lateral & regional information corporation. 7. Non-Aligned news pool. 8. Struggle for News between developing & developed countries. 9. Barriers to the flow of news. 10. International practices on visual coverage & regulation in media exchange. 11. UN resolutions on Media related issues. 12. The Gandhian Approach. 14. The New Information Age. SUGGESTED READINGS: 1. 2. 3. Many Voices One World Facts of Life The Media & Modernity UNESCO A Communication Challenge UNICEF, India - 1993 John & Thompson, Polity Press, 1995  32/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  BSCMCAJ-602: Contemporary Media Technology Objective: Media Technologies are both evolutionary and revolutionary. With newer technological innovations replacing the old technologies, the Mass Communication scenario is changing at a very fast pace. This course intends to acquaints the students with the contemporary media technology. Contents: 1. The conventional media scenario (Radio, TV & Newspaper). 2. New Information Communication Technologies: Need and Cultural contexts. 3. IT & Information Management. 4. Moving on Digital Era: What is Digitalisation? Internet < E-Commerce, Broadcasting, Cable TV, Video Technology Impact of TV Digital Media & Entertainment Technology Telecommunication Revolution New Technological Devices New Communication Revolution 5. Globalisation Process: Cultural Globalisation Perspective, Impact of globalisation  SUGGESTED READINGS: 1. Mass Communication Perspective 2. Globalisation 3. Technology & Communication Behaviour Uma Narula Albrowm & King E Belmont C A Wadsworth  BSCMCAJ-603: Radio Making of a Radio Station FM Radio Process of Setting Up and Operating an FM Radio Station in India Accounstics Microphones Use and Mixing of Sound, Audio Effects, Music Voice Modulations Radio Journalism Key Elements of Radio Writing Announcements, Talks, Feature-Documentaries, Plays, Dialogue Writing, Newsreel, Discussions, Interviews, Newswriting, Commericlas/Jingles  33/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  BSCMCAJ-604: Government Information System Part A Publicity System The need for Government publicity. Basic principles of Government publicity- Government publicity guidelines-Operation of Government publicity. Maintaining press relations through press conferences, press releases, press tours. Supporting service like background, research, references and photo coverage. Government information system. Part B Handling Government and other information sources Information needs for a journalist in social, developmental, national and international areas. The press information officers in Ministry and Government Departments. The Press Information Bureau. The UN, UNESCO and World bank officers as source of information. The CII, FICCI, as information sources for business, industry. The Bombay Stock Exchange Directory and the Registrar of Companies as sources for profile on companies. BSCMCAJ 605: PROJECT REPORT Every student will be assigned a project at the end of the Fifth Semester and it will be pursued by him / her under the supervision of an internal supervisor. Both the subject and the name of the internal supervisor will be duly approved by the Director of the Institute. The Project Reports (in duplicate) alongwith one floppy will be submitted by the students at least two weeks prior to the date of the commencement of the End - Term Examinations for the Sixth Semester. The Project Report shall carry 100 Marks and shall be evaluated by an External and Internal Examiners separately from out of 50 marks each. SUGGESTED READINGS: 1. Project Report Writing ­ M.K. Rampal (Galgotia Publishing Company) BSCMCAJ-603: Practical Combined Practical of all the papers in the semester.  34/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  MSc (Mass Communication, Advertisement & Journalism) Semester 1  MSCMCAJ-101 : Introduction to Communication Communication: Meaning, Need, Types, Models (SMCR, Shanon & Weaver Model, SMRC Model, Laswell Model, Osgood Model, Dance Model, Schramm Model, Gerbner \'s Model, New Comb Model, Convergent Model, Gate Keeping Model) Theories of Communication (Hypodermic needle, Two step & Multistep, Commercial, Play theory, Uses & Gratification, Selective exposure, Perception & Retention theory, Individual difference theory) Elements & Process of Communication, History of Communication, Barriers of Communication, Tools of Communication, Effective Communication Principles.  35/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  MSCMCAJ-102 : Introduction to Mass Communication Mass Communication, Meaning, Need, Types, Elements of Mass Communication, Model of Mass Communication (Lazarfield Two Step flow, Dependency model, Agenda Setting & Effect Model, Model of Gate Keeping) Theories of Mass Communication, (Authoritarian, Libertarian, Social Responsibility, Soviet Media, Development Communication, Democratization Theory) Difference between Communication & Mass Communication MSCMCAJ-103 : Introduction to Journalism Journalism: Meaning, Definition, Glossary, History, Purpose or Role, News: Definition, Types, Elements of News, Source of News, Structure of News, Leads, Types of Leads, Head Line, Type of Headline, Quality of News, How to write news, Types of news writing, News room & its structure & Role. Journalist, Qualities, Role, Trends in Modern Journalism.  36/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  MSCMCAJ-104 : Introduction to Advertising Advertising: Meaning, Attributes, Origin, Developments, Goals, History of Indian Advertising, Process of Advertising, Publicity Versus Propagandas versus Sale Promotion, Role of Advertising, Advertising Types, Principles, Steps in Advertisement Planning, Advertising Agency, Function & Role. Selection of Advertising & Agency, Parts of an Advertisements, Advertising ethics. MSCMCAJ-105 : Introduction to Computers Introduction to Computers, Characteristics of Computers, Generations of Computers, Classification of Computer, Importance of Computer, Computer Organization, Input Unit, Output Unit, CPU, Input/Output Devices, Computer Viruses, Number System & Computer Arithmetic, Binary Number System, Octal Number System, Hexadecimal Number System, Conversions from One Number System to another, Decimal to Another Base, Converting from a base other than 10 to a base other than 10, Fractional Numbers, Operating System, Functions of Operating System, Types of OS, Internet, E-Mail, WWW, File Transfer Protocol, Uses of Internet, MS-Office ­ Basics, MS-Word, MS-Power Point, Windows, Paint Brush, Notepad.  37/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  MSCMCAJ-106 : Communication and Soft Skills UNIT I Essentials of Grammar: · · · · UNIT II Office Management: · · · · · · · UNIT III Letter & Resume Writing: · · · · · · · UNIT IV Presentation Skills: · · · · · · · · · · · UNIT V Interview Preparation: Importance of Presentation Skills Capturing Data Voice & Picture Integration Guidelines to make Presentation Interesting Body Language Voice Modulation Audience Awareness Presentation Plan Visual Aids Forms of Layout Styles of Presentation. Types of Letters-Formal / Informal Importance and Function Drafting the Applications Elements of Structure Preparing the Resume Do \'s & Don \'ts of Resume Helpful Hints Types of Correspondence Receipt and Dispatch of Mail Filing Systems Classification of Mail. Role & Function of Correspondence MIS Managing Computer Parts of Speech Punctuation Vocabulary Building Phonetics  38/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  · · · · · · · · UNIT VI  Types of Interview Preparing for the Interviews Attending the Interview Interview Process Employers Expectations General Etiquette Dressing Sense Postures & Gestures  Group Discussion & Presentation: · · · · · Definition Process Guidelines Helpful Expressions Evaluation  (Note: Every student shall be given 15 minutes. of presentation time & 45 minutes of discussion on his/ her presentation.) The student will be evaluated on the basis of : his / her presentation style Feedback of Faculty & Students General Etiquette Proficiency in Letter Drafting / Interview Preparation The paper is internal and at least 3 tests will be taken. Best 2 of 3 shall account for final grades (70% Test & 30% Presentation)  MSCMCAJ-107: Practical Combined Practical for all the papers in the semester.  39/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  Semester 2 MSCMCAJ-201 : Introduction to Media Technologies Media, Meaning, History & Origin, Classification of Media, History & Development of TV, Radio, Newspaper, Magazines, Cinemas in India, Structure of All India Radio & Door Darshan, Traditional Media, Meaning & Role, Difference between Traditional& Electronic Media. MSCMCAJ-202 : Introduction to Public Relations Public Relations: Meaning, Definition, Need for P.R., History of P.R., P.R. Programme, P.R. Public, Tools of P.R, Importance of P.R, Ethics of P.R., Image Advisory, Role & Function, Importance, Qualities of P.R.O, Objective of P.R., How to conduct P.R. Campaign.  40/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  MSCMCAJ-203 : Journalistic Reporting & Editing Journalistic Writing; Meaning, Forms( News, Editorial, Features, Middle, Articles, difference between all formats), Reporting; Meaning, Types of Reporting, Tips on Reporting, Objectivity, Report writing for all media. Editing; Meaning, Symbols & Usages, Need & Principles of Editorial Desk, Proof Reading,  Newspaper Meaning & its Production Steps, Difference between Newspaper and Magazines, Pages of Newspaper. MSCMCAJ-204 : Advertising Design & Principles Advertising Design; Meaning, Making of Advertisement, Background, Layout steps, Function of Layout, Design & Layout, Types of Design, Principles of a Good Layout, Appeal of an Advertisement, Principles of Good Advertisement, Regulations of an Advertisement. MSCMCAJ-205 : Project Report Every student will be assigned a Project at the beginning of the 1st Semester and will be persued under the supervision of an internal supervisor. The Project Report will be on the Topics related & Taught in the first year of M.Sc. The Project Report shall carry 100 ( 25 Internal and 75 External) Marks and will be evaluated by the examiner. The project will be submitted with the Institute as well as the University.  41/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  Semester 3 MSCMCAJ-301 : Introduction to Printing Technologies Printing; its meaning, History, Origin, Types of Printing Process, Elements of Printing, Paper, Comparison between Printing Process, Traditional Printing Vs Modern Typography, Type size, Type Style, Colours. MSCMCAJ-302 : Introduction to Production Technologies T.V & Radio Production, Post & Pre Production Stages, Story Treatment, Scripts, Storyboards, Budget, Floor Plan, Sets, Make up Costume, Jewellery, Lights, Audio, Shots, Shooting Schedule, Crew for Production, Post Production & Editing. MSCMCAJ-303 : Introduction to Newspaper Management Meaning of Management, Principles of Management, Structure, Co-ordination, Motivation, Control, Decision Making, Departmentalization, Ownership Pattern, Liasoning with Govt. Depts, Editorial Management, Advertising Management, Circulation Management, Factors affecting Circulation, Functions, Personal & Financial Management, Printing Management, Need of Morgue.  42/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  MSCMCAJ-304 : Introduction to Copywriting, Visualization & Campaign Effectiveness Meaning of Copywriting & Visualization, Qualities of Visualizer as a part of Advertising, Copywriting & Visualizing Role & Significance, Process of Visualization, Creative Visualization, Copywriting in Advertisement, Appeals, Advertisement Effectiveness, Difference between Advertising & P.R.  MSCMCAJ-305 : Introduction to Mass Communication & Society Uses, Effects & Representation, Meaning of Effects, Theories of Media Effects, Effects of Media on Education, Mass Media and Indian Family, Children, Women, Need for Audience Studies, Media & Communication, Violence in Media, its effect on Society, Violence in News.  43/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  Semester 4 MSCMCAJ-401: Introduction to Communication Research Research; Meaning , Definition, Types, Methods of Research, Research Problems, Designing a Research Problem, Objective of a Good Research, Significance of Research, Research Design; Meaning, Qualities of Research Design, Steps of Research Design, Hypotheses, Qualities of Hypotheses, Sampling; Sampling Procedure, Types of Sampling, Data Collection; Techniques of Data Collection, Processing & Analysis, Interpretation and Report Writing, Role of Computer in Research. MSCMCAJ-402: Introduction to Photography Photography; Meaning, Definition & History of Photography, Tools of Photography, Camera; Parts of a Camera (Shutter, Apertures, Lens, Films), Types of Camera, Quality of Photograph, Role of Visualizations, Shots, Roles of Lightings, How to take a good picture, Role of Subject, Editing & Development of Photograph. Manual & Computerized. Composition of Photograph, Photo Journalism, its Role & Importance.  44/46    PTU/DEP/MediaTechnologies /September 2005/Detailed Syllabus  MSCMCAJ-403: Mass Communication Ethics & Laws History of Mass Media; Writing to Communication, Freedom of Press or Media, Press Code & Ethics, PCI, Code of Journalistic Ethics, Censorship and Control in the Press and other Media, Press ownership & monopoly, Media Laws, Media Organization, Press Commission, ABC, RNI & Defamation. MSCMCAJ-404: New Media Technologies Stand alone technologies to convergence, Its history in India, New Media Technology, Till Present, DTH, Internet, History , Meaning, Definition, Role,Process, Information Superhighway, Globalization, I.T. Regulations & Committees. MSCMCAJ-405: Project Report Every student will be assigned a Project at the beginning of the 4th Semester and will be persued under the supervision of an internal supervisor. The Project Report will be on the Topics related & Taught in the first year of M.Sc. The Project Report shall carry 100 ( 25 Internal and 75 External) Marks and will be evaluated by the examiner. The project will be submitted with the Institute as well as the University.  45/46    © Copyright, Punjab Technical University  September 2005  46/46    ",207);arrFiles[36]=new Array(37,"achievments.html","15 Oct 2009","Pran  \\'s Media","","","Home | About Pran | Pran \'s feature | Achievments | Comics | Contact Achievments ",2);arrFiles[37]=new Array(38,"pranfeature.html","15 Oct 2009","Pran  \\'s Media","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. Read by more than 1.5 Crore readers Each week across India, the comic series has been in production since the last 45 years. Our Comics adorn more than 35 newspapers in over ten languages. Our popular, loved and accepted comic characters Chacha Chaudhary and his friends are the first set of original Indian comic characters televised on national prime time TV to Indian audiences worldwide, through the premier Indian home entertainment provider  \'Sahara One \' four years in the running. Its animated series is underway and will soon be hitting TV channels across India and abroad . In addition to this, we have already tied up with a leading Indian mobile operators like Air-tel, Hutch, Idea, Reliance, Indiatimes, Yahoo etc; accross the country. To keep pace with the latest technology, readers can read our comics through their mobiles ",4);arrFiles[38]=new Array(39,"chacha01.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact C hacha Chaudhary Read Chacha Chaudhary \'s Comics ",5);arrFiles[39]=new Array(40,"shrimatiji.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact S hrimatiji A large number of population consists of middle class. In 1968, Cartoonist Pran drew a white collar family comprising a couple in thirties and their two children. Thus SHRIMATIJI cartoon series came into existence. It runs in Manorama, Punjab Kesari, Jag Bani, Hind Samachar, Sandhya Times and several other newspapers. SHRIMATIJI comic books have been complied by M/s. Diamond Comics Pvt. Ltd. New Delhi. The series depicts day to day life of Sheila and her husband Kishore . Despite the difficulties in coping with the spiralling prices the couple goes on cracking jokes on each other and enjoying the life as it comes. Sheila likes to go to beauty parlours, kitty parties and shoppings. Her only worry is that her friend, Gogi, who is fat, finds it difficult to trace a groom. Read Shrimatiji \'s Comics ",4);arrFiles[40]=new Array(41,"contact.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact C ontact A-84 Naraina Vihar, New Delhi - 110028 Ph. No: 91-11-45400844 pran@pran.in | www.pran.in ",3);arrFiles[41]=new Array(42,"chacha02.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact C hacha Chaudhary Read Chacha Chaudhary \'s Comics ",5);arrFiles[42]=new Array(43,"chacha03.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact C hacha Chaudhary Read Chacha Chaudhary \'s Comics ",5);arrFiles[43]=new Array(44,"chacha04.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact C hacha Chaudhary Read Chacha Chaudhary \'s Comics ",5);arrFiles[44]=new Array(45,"pinki02.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact P inki Read Pinki \'s Comics ",4);arrFiles[45]=new Array(46,"pinki01.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact P inki Read Pinki \'s Comics ",4);arrFiles[46]=new Array(47,"pinki03.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact P inki Read Pinki \'s Comics ",4);arrFiles[47]=new Array(48,"billoo01.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact B illoo Read Billoo \'s Comics ",4);arrFiles[48]=new Array(49,"pinki04.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact P inki Read Pinki \'s Comics ",4);arrFiles[49]=new Array(50,"billoo02.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact B illoo Read Billoo \'s Comics ",4);arrFiles[50]=new Array(51,"billoo04.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact B illoo Read Billoo \'s Comics ",4);arrFiles[51]=new Array(52,"billoo03.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact B illoo Read Billoo \'s Comics ",4);arrFiles[52]=new Array(54,"Educational_loan.html","15 Oct 2009","Pran  \\'s Media Institute : Education loan","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER Application Form Course Details Fee Structures Download Brochure Educational Loan How to Apply Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. Education Loan Student Loan by PUNJAB NATIONAL BANK The institution currently has a tie up with Punjab National Bank, Students can apply for a bank loan , assistance can be provided to apply for the loan. Kindly contact us on pran@pran.in for more information STUDENT ELIGIBLITY Should be an Indian National. Secured admission to Professional / Technical courses through Entrance Test / Selection process Secured admission to foreign University / Institutions Student should have secured pass marks in the qualifying Examination for admission to Graduation Courses. CHECK LIST While applying for the loan, the borrower is required to furnish the following information/papers: Loan application on Bank \'s format. Passport size photograph Proof of Address (Permanent) / ID Proof. Proof of Age. Proof of having secured pass marks in last qualifying examination Letter of admission in professional, technical or vocational courses Prospectus of the course wherein charges like Admission Fee, Examination Fee, Hostel Charges etc. are mentioned Details of Assets & Liabilities of parents In case loan amount is above Rs.4.00 lacs : *. Particulars of Guarantors and details of their Assets & Liabilities. Photocopy of Passport & Visa, in case of foreign student. Any other document/information, depending upon the case and purpose of the loan. * (The above CHECKLIST is only illustrative, not exhaustive. For details, please contact nearest Branch Office). EXPENSES CONSIDERED FOR LOAN Fee payable to College / School / Hostel Examination / Library / Laboratory fee. Purchase of books / equipments / instruments / uniforms. Secured admission to foreign University / Institutions. Caution Deposit / Building Fund / Refundable Deposit supported by Institution Bills / Receipts. Travel Expenses / Passage money for studies abroad Purchase of computers - essential for completion of the Course Boarding and lodging expenses in recognized Boarding Houses / private accommodations Any other expense required to complete the course - like study tours, project work, thesis etc. SECURITY Up to Rs.4.00 lacs: No Security. Above Rs 4.00 lacs and Up to Rs 7.5 lacs: 3rd party guarantee acceptable to the Bank. Above Rs 7.5 lacs: Collateral Security of Suitable value or suitable 3rd party guarantee RATE OF INTEREST Up to Rs. 4 lacs BPLR+Term Premia minus 1.25 Above Rs.4 lacs BPLR + Term Premia Term premia of 0.50% p.a. shall be added for repayment period of 3 years & above The interest shall be debited monthly on simple basis during the Repayment holiday/ Moratorium period. Penal Interest @ 2% be charged for above Rs.4.00 lacs for the overdue amount and overdue period. 1% Interest concession for servicing of interest during the study period regularly is allowed at the time of start of repayment period of loan REPAYMENT Repayment Holiday / Moratorium Course period + 1 year OR 6 months after getting job, whichever is earlier. The Principal and interest is to be repaid in 5-7 years after commencement of repayment. If the student is not able to complete the course within the scheduled time, extension of time for completion of course may be permitted for a maximum period of 2 years. UPFRONT FEE Nil DOCUMENTATION CHARGES Up to Rs. 4 lacs Rs.270/- + Service Tax &amp; Education Cess Above Rs.4 lacs Rs.450/- + Service Tax &amp; Education Cess &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",10);arrFiles[53]=new Array(55,"how_to_apply.html","15 Oct 2009","Pran  \\'s Media Institute :: Admission --&gt; Fee Details","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER Application Form Course Details Fee Structures Download Brochure Educational Loan How to Apply Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. How to Apply APPLYING BY DOWNLOADING APPLICATION FORMS (i) For 3 Months and 1 Year Programs: - Application Form duly filled ( Click here to download ) - Attested photocopy Education Qualification (a) For all 3 month and 1 year Diploma courses - Attested Photocopy of mark sheets and pass certificates of High school &amp; Intermediate. (b) For all 1 year Post Graduate Diploma Programs - Graduation Degree / 10+2 / 10th class mark sheets and pass certificates. (PS - Students awaiting their final year results can also apply and secure provisional admission) - Passport Size Photographs (3 copies) - Additional Document, if any, highlighting the achievement of the applicant. (a) For 3 month Programs Rs 2500/-. (b) For 1 year programs Rs 5500/- (adjusted towards the course fee) to be sent in favor of  \'Pran \'s Media Institute \', payable at  \'New Delhi \' addressed to Pran \'s Media Institute, E13, Green Park Extention, ( Behind Mohinder Hospital ), New Delhi - 110016. India Once the admissions department receive the application along with the Demand Draft, the admissions team will review your application and get back to you with the admission status . (i) For 2 Years PG and 3 Years UG Programs: - Application Form duly filled ( Click here to download ) - Attested photocopy Education Qualification (a) Undergraduate courses - 10 grade, 12th grade (A Levels &amp; O Levels) (b) Post Graduate courses - 12 grade/ University Transcripts / Provisional Degree/ Degree - Passport Size Photographs (3 copies) - Additional Document, if any, highlighting the achievement of the applicant - Along with the above mentioned documents, a Demand Draft of Rs 5500/- as registration fee ( which would be adjusted towards the course fee) to be sent in favor of  \'Pran \'s Media Institute \', payable at  \'New Delhi \' addressed to Pran \'s Media Institute, E13, Green Park Extention, ( Behind Mohinder Hospital ), New Delhi - 110016. India Applications duly filled in together with the required documents and the registration fee (which may be remitted by Demand Draft), will be scrutinized by the Admissions committee APPLICATION CAN ALSO BE OBTAINED BY SENDING DEMAND DRAFT Applications forms and Prospectus can be obtained by sending Rs 500/- either in Cash/Demand Draft/Pay Order/ Money Order. For Short term courses, 3 month, 1 year, Graduation &amp; Post Graduation Degree courses (1 year, 2 year &amp; 3 year) draft should be in favour of ‘Pran \'s Media Institute \', payable at New Delhi. All mails should be addressed to: Pran \'s Media Institute, E13, Green Park Extention, ( Behind Mohinder Hospital ), New Delhi - 110016. India Once you receive the application package , the student is required to send the application along with the required documents and registration money to the admissions department . The complete procedure is mentioned in the application form. APPLY ONLINE You can fill in the application form online and upload all the required documents . Our admissions team will assist you once you complete the online application form. Click here to apply online &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",10);arrFiles[54]=new Array(56,"faculty-PMI.html","15 Oct 2009","Pran  \\'s Media Institute :: Faculty","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER From president \'s desk Faculty profiles International Visiting Faculty Visiting Faculty Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. Faculty Profiles List of faculty members in alphabetical order Akshaydeep Sharma - Centre Head (Graphics ) Ashok Shivastava (TV News Anchoring) Atul Arya (Radio Jockey) Avinash Chandra (Print Media Expert) Deepak Haldenkar (Camera operation &amp; Photojournalism) Eddy Singh (TV Direction) Mrs. Jyoti Pran (Personality Development &amp; soft skills) Kapil Kapoor (Advertising / TV News &amp; Anchoring Expert) Kishore Dang (TV Direction and Production) Kulshreshth Dhingra (Camera Operation &amp; Still Photography) Nidhi Kumari (News Anchoring &amp; Reporting) O.P Rathore (Script Writing ) Priya Shrivastava {Mass Communication | History &amp; Industry) Raj (Fine Art Expert) Rajiv (Sound/Music) Rajendra Tyagi (Hindi Journalism) Rajnish Sahay (Marketing  \\ Advertising) Ravi Mittal (Mass Communication &amp; journalism - electronic) Ruby Singh (Sfx &amp; Vfx - Graphics) Sangeeta Rani (Voice Over and Radio Jockey) Sanjeev Wadhwa (Print Graphics) Sarita (TV Journalism) Shamshir Rai Luthra (Radio Jockey) Solanki . R (Graphics &amp; Web Designing) Soni (Hindi Patrakarita Umesh Kumar Mahto (IT Fundamentals, 3D , Post production Vijay Mohan (Marketing) Vishal Tyagi (Non-linear Editing FCP | AVID | PREMIERE) &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",9);arrFiles[55]=new Array(57,"faculty-visiting.html","15 Oct 2009","Pran  \\'s Media Institute :: Faculty","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER From president \'s desk Faculty profiles International Visiting Faculty Visiting Faculty Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. Visiting Faculty Profiles Deepak Sharma (Print Media Expert) Rajat Madhok (UNICEF) Savita Jhingan (MH1 News) Anurag Punetha (Sahara Samay) &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",5);arrFiles[56]=new Array(58,"swine_flu.html","15 Oct 2009","Pran  \\'s Media Institute ::News &amp; Events","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER Latest in PMI Events at PMI Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. Awareness Programme for Swine Flu PMI Agra branch conducted an awareness march for swine flu on wednesday 20th august 2009. The PMI staffs and students under the leadership of the center Arshad khan disseminated the knowledge about cause, prevention, symptoms and cure of swine flu to people in Dayalbagh, Kamla nagar, Sikandra, Gandhi nagar, Rajpur chungi, Yamuna bridge area. The students who participated in the march were Munis, Vivek shama, Priya Palit, Amit, Chandra Prakash, Aniket, Gaurav, Nitin, Deepti, Rahul , Jyoti, Shalini, Babita, Bumika, and Prem Chandra. &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",6);arrFiles[57]=new Array(59,"D.Lent.html","15 Oct 2009","Pran  \\'s Media Institute :: Faculty","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER From president \'s desk Faculty profiles International Visiting Faculty Visiting Faculty Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. Dr. John A. Lent honoured the PMI \'s Prof. John A. Lent Prof. John A. Lent School of Mass Communication and Theatre (Temple University) Philedelphia, Pennsylvania ,USA Lifetime member, Mass media and Communication committee. Winner of more than 25 prestigious awards in various fields including cartooning. Dr. Lent honoured the PMI students &amp; Staff with his presence &amp; shared with the students, his experience in the field of media and communication &amp; discussed about various aspects of animation and cartooning. Dr. Lent also apent his precious time with students taking a look to their work in animation &amp; ENG &amp; appreciated their work and encouraged them all lot. Watch Dr. Lent \'s Video while taking special class at PMI &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",7);arrFiles[58]=new Array(60,"articles-univ.html","15 Oct 2009","Pran  \\'s Media Institute :: PMI articles","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER By Students By Faculty member On Universal topic Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. Articles New Topics Will be Uploaded soon....Keep tuning. &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",5);arrFiles[59]=new Array(61,"articles-faculty.html","15 Oct 2009","Pran  \\'s Media Institute :: PMI articles","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER By Students By Faculty member On Universal topic Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. Articles ( By Faculty ) New Topics Will be Uploaded soon....Keep tuning. &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",5);arrFiles[60]=new Array(62,"articles-stud2.html","15 Oct 2009","Pran  \\'s Media Institute :: PMI articles","","","Feedback | Vision | Franchise | Placements | Contact Us HOME | ABOUT US | ADMISSION | FACULTY | PROGRAMS | NEWS &amp; EVENTS | ARTICLES | STUDENTS KORNER By Students By Faculty member On Universal topic Success Stories Pran \'s Features has been syndicating some of India \'s most popular comics since 1960. In 1993, was linked with the television industries, making TV Serials, Advertisement Films and Corporate Films for private producers and Advt agencies. Articles ( By Students ) YEH HAI YOUNGISTAAN MERI JAAN! T he advancements and development in the field of science and technology has affected almost every sphere of our lives. But the group on which its effects can be seen the most is the youth, the younsters. Either it be a college premises or work-place or any public place,youngsters armed with latest electronic gadgets can be easily spotted everywhere. Cellular phones, digital cameras, I-pods, laptops and internet seem to have brought the whole wold to their fists. In past few years westernization and modernization have spread their wings not only in metros but in urban and sub-urban areas too.Compared to the past decades, a child of today is more familiar to the neo-technology and are dab-hand at them. Internet and cellular phones have made the world a global village where anyone at any place in the back of beyond can stay connected to any other at any part of the world. This has opened a vast universe of knowledge which can be accessed easily at the click of the button. More information, more opportunity and more awareness about career options, all this have made the youth more conciuos about their career and future. They have started thinking about their future at a very early age. Apart from this, these technologies have provided an easy mode of recreation and relaxation. As every coin has two sides, this is not any exception. Although these technologies have made the life easy going and comfortable , their misuse leads to some drastic consequences. Some of which are pornography, fuvinile crime, credit card fraud, Rip-off trading and hacking etc. Younsters, in order to make a killing turn down to such acts. But in many opinion, If these facilities of science and technology are channelized on the right track, the youth will lead and take India towards a prosperous and golden tomorrow and then we would proudly say YEH HAI YOUNGISTAN MERI JAAN . -Priya Shrivastava Faculty of Mass Communication &lt;&lt;prev | next&gt;&gt; HTML Comment Box is loading comments... &copy;copyright 2009. All Rights Reserved. Feedback | Privacy policy | Contact us | Sitemap Designed by mavencreation.com E-13 , Green Park Extension, (Behind Mohinder Hospital) New Delhi - 110016 Ph: 011- 41754844, 42651265 E-mail : pran@pran.in | www.pran.in ",8);arrFiles[61]=new Array(63,"shrimati03.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact S hrimatiji Read Shrimatiji \'s Comics ",4);arrFiles[62]=new Array(64,"shrimati01.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact S hrimatiji Read Shrimatiji \'s Comics ",4);arrFiles[63]=new Array(65,"shrimati02.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact S hrimatiji Read Shrimatiji \'s Comics ",4);arrFiles[64]=new Array(66,"shrimati04.html","15 Oct 2009","Chacha Chaudhary - Pran","","","Home | About Pran | Pran \'s Feature | Achievments | Comics | Contact S hrimatiji Read Shrimatiji \'s Comics ",4);